Joseph Cornell (1903-1972), the American pioneer of collage, montage, and assemblage art, is sometimes regarded as a solitary star within the constellation of great Surrealists. The essays in Joseph Cornell and Surrealism consider connections between Cornell and the Surrealist group during the 1930s and 1940s, during Cornell's artistic development and the heyday of Surrealism in the United States. He shared with the Surrealists his basic conception of the visual image as the product of poetic juxtaposition. In his best-known works--the collages, small constructions of found objects, and classic shadow boxes--he took key Surrealist methods in new directions. The essays also examine Cornell's achievement in other formats, including his ground-breaking collage film and the open-ended and nonlinear archives of printed materials that he called "explorations," as well as the art, literature, music, and dance that nourished his unconventional artistic output.
The essays in this volume were commissioned for the catalogue Joseph Cornell et les surréalistes à New York, published to accompany the exhibition of the same name that was co-organized by the Musée des Beaux-Arts de Lyon and The Fralin Museum of Art at the University of Virginia.
Aside from the editors, the contributors are Stephen Bann, Emmanuel Guigon, Lynda Roscoe Hartigan, Jodi Hauptman, Howard Hussey, Ségolène Le Men, Camille Lévêque-Claudet, Patrick Mauriès, Anne Morra, and François-René Martin.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Matthew Affron is the Muriel and Philip Berman Curator of Modern Art at the Philadelphia Museum of Art.
Sylvie Ramond is Director of the Musée des Beaux-Arts de Lyon.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. Joseph Cornell (19031972), the American pioneer of collage, montage, and assemblage art, is sometimes regarded as a solitary star within the constellation of great Surrealists. The essays in Joseph Cornell and Surrealism consider connections between Cornell and the Surrealist group during the 1930s and 1940s, during Cornells artistic development and the heyday of Surrealism in the United States. He shared with the Surrealists his basic conception of the visual image as the product of poetic juxtaposition. In his best-known worksthe collages, small constructions of found objects, and classic shadow boxeshe took key Surrealist methods in new directions. The essays also examine Cornells achievement in other formats, including his ground-breaking collage film and the open-ended and nonlinear archives of printed materials that he called explorations, as well as the art, literature, music, and dance that nourished his unconventional artistic output.The essays in this volume were commissioned for the catalogue Joseph Cornell et les surrealistes a New York, published to accompany the exhibition of the same name that was co-organized by the Musee des Beaux-Arts de Lyon and The Fralin Museum of Art at the University of Virginia. Aside from the editors, the contributors are Stephen Bann, Emmanuel Guigon, Lynda Roscoe Hartigan, Jodi Hauptman, Howard Hussey, Segolene Le Men, Camille Leveque-Claudet, Patrick Mauries, Anne Morra, and Francois-Rene Martin. The essays in Joseph Cornell and Surrealism consider connections between Cornell and the Surrealist group during the 1930s and 1940s, during Cornells artistic development and the heyday of Surrealism in the United States. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780983505976
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