The poems of The Moon's Jaw are a portrait of rotting decadence: wastelands of body and soul radioactive with death, cruelty, and a dark gleaming perverse sexuality. The language, flow, and rhythms of Rauan Klassnik's second collection seem to revel in themselves, stagnate, bog down, wallow. As Klassnik writes, "There's no way out but we don't stop trying" and here, we find a wasteland spectrum, from a playground, a twisted eden that lurches forward--despite a swollen turgid gravity of blurred gender and godlessness and wheel-spinning ruts--to an obsessive and persistently striving narrative of death, gender, corruption, and (anti)religion.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Rauan Klassnik was born in Johannesburg, South Africa. In his early teens he moved to Dallas, Texas, with his family. Much of his time is now spent in Mexico.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. The poems of The Moon's Jaw are a portrait of rotting decadence: wastelands of body and soul radioactive with death, cruelty, and a dark gleaming perverse sexuality. The language, flow, and rhythms of Rauan Klassnik's second collection seem to revel in themselves, stagnate, bog down, wallow. As Klassnik writes, "There's no way out but we don't stop trying" and here, we find a wasteland spectrum, from a playground, a twisted eden that lurches forward-despite a swollen turgid gravity of blurred gender and godlessness and wheel-spinning ruts-to an obsessive and persistently striving narrative of death, gender, corruption, and (anti)religion. N° de réf. du vendeur LU-9780984475278
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Paperback. Etat : New. The poems of The Moon's Jaw are a portrait of rotting decadence: wastelands of body and soul radioactive with death, cruelty, and a dark gleaming perverse sexuality. The language, flow, and rhythms of Rauan Klassnik's second collection seem to revel in themselves, stagnate, bog down, wallow. As Klassnik writes, "There's no way out but we don't stop trying" and here, we find a wasteland spectrum, from a playground, a twisted eden that lurches forward-despite a swollen turgid gravity of blurred gender and godlessness and wheel-spinning ruts-to an obsessive and persistently striving narrative of death, gender, corruption, and (anti)religion. N° de réf. du vendeur LU-9780984475278
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