Fiction. How does Renee Gladman manage to make language different from itself? How does she make space different from itself too? In this short novel there is an expansive mystery, but I don't think it exists to be solved. There is 'Bze, ' but there is also fried fish. There is a city with structures in it that multiply or are 'half-articulated, ' where climate dictates how the city's inhabitants move. MORELIA is exquisite. And Gladman is, easily, one of the most intriguing and important writers of our time.--Amina Cain
I read this book as a gift to fiction writers. It maps my reality as a person whose daily experience is made simultaneously by the immediately sensory, the aftermath of dream, and the constant sense of narrative at work. MORELIA is an immaculately constructed, entirely fictive landscape, a story of the adventure of detection in its every aspect. No one writes prose like Renee Gladman.--Lucy Corin Strange and brilliant, a mystery, an adventure, a mad escape: this story is all Gladman, shimmers with Gladman, sings. Every page is a song.--Deb Olin UnferthLes informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Renee Gladman is the author of ten books of poetry and prose, including her series of fictional works set in the imaginary city-state of Ravicka: EVENT FACTORY (2010), THE RAVICKIANS (2011), ANA PATOVA CROSSES A BRIDGE (2013), and HOUSES OF RAVICKA (2017), all available from Dorothy, a publishing project. CALAMITIES (Wave Books, 2016) is a collection of linked essays on writing and experience. PROSE ARCHITECTURES (Wave Books, 2017) is her first monograph of drawings. MORELIA (Solid Objects, 2019), a novel, is her latest. She lives in New England with poet-ceremonialist, Danielle Vogel.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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