Floating Time: Chinese Prints, 1954-2002 brings together, for the first time, the University of Sydney Art Collection's ninty-three modern and contemporary Chinese prints. This substantial collection includes national prize-winning prints and works by internationally acclaimed artists, including Zhao Zongzao and Su Xinping. The half-century represented here reveals not only the development of the powerful woodcut tradition under Mao, but also the rapid expansion of printmaking as artists embraced a broader set of themes and more experimental techniques. Such developments reflect the tumultuous periods in which these works were produced and offer a unique and intimate glimpse into the lives of these fifty artists - a vastly different perspective from the familiar forms of contemporary Chinese art seen in better known international art circuits.
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Stephen Whiteman is reader in the art and architecture of China at the Courtauld Institute of Art, University of London. He is the author of Where Dragon Veins Meet: The Kangxi Emperor and His Estate at Rehe (Washington, 2020) and the coauthor of Floating Time: Chinese Prints, 1954-2002 (Power Publications, Sydney, 2018). He is also the editor of Landscape and Authority in the Early Modern World (Pennsylvania, 2023) and the coeditor of Ambitious Alignments: New Histories of Southeast Asian Art, 1945-1990 (Power Publications, Sydney, 2018).
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