For many years, James Blades's famous book has been referred to as the percussionist's bible. It is established as the definitive reference work on the subject. Last updated by the author in 2005 and now back in print, this extended edition includes two additional chapters. The first covers the rise of the solo percussionist by the world's leading practitioner, Dame Evelyn Glennie who also contributes a new Foreword, while recent developments in orchestral percussion are covered by Neil Percy, Head of Timpani and Percussion at the Royal Academy of Music and Principal Percussionist of the London Symphony Orchestra.
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James Blades, renowned percussionist and scholar, and for many years Professor of Percussion at the Royal Academy of Music, received wide acclaim for his book Percussion Instruments and Their History. Always in demand as one of England's foremost percussionists, he played under some of the most distinguished conductors in the world. For years he collaborated with Benjamin Britten as percussion advisor, acting as his personal percussionist and developing many of the composer's more unusual percussion effects. He was awarded the Hon.RAM (Royal Academy of Music), the Order of the British Empire, and Hon.M.Mus (University of Surrey). Dame Evelyn Glennie is the world's premier solo percussionist, performing worldwide with the greatest orchestras, conductors and artists. Her solo recordings exceed 40 CDs and are as diverse as her career on-stage. A double GRAMMY award winner and BAFTA nominee, Evelyn is also a composer for film, theatre and television. Evelyn was awarded an OBE in 1993 and has over 100 international awards to date, including the Polar Music Prize and the Companion of Honour. Neil Percy is Head of Timpani and Percussion at the Royal Academy of Music. A member of the London Symphony Orchestra for more than 25 year, Neil has worked closely with many major artists and conductors, including Sir Colin Davis, Pierre Boulez, Steve Reich, Francois Xavier-Roth, Sir Karl Jenkins, Ravi Shankar, Kent Nagano and Elgar Howarth.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. This definitive encyclopaedic work explores the origins of percussion through the development of the early drums and xylophones right up to the wide range of modern instruments and the sounds they make. James Blades covers these early developments globally from China and the Far East, India and Tibet, the early civilisations in Mesopotamia, Egypt, Greece, Rome and Persia through to mediaeval and renaissance Europe. He continues to examine the role of percussion in the classical and romantic orchestras and finally looks at the ways composers have pushed the boundaries in modern music. Each chapter has its own photographs, illustrations and bibliography and there are comprehensive indices referencing all the composers and works discussed.This extended edition includes two important new chapters. The first covers the rise of the solo percussionist and is written by the world's leading practitioner and one of Blades' former pupils, Dame Evelyn Glennie, who also contributes a new Foreword, while recent developments in orchestral percussion are covered by Neil Percy, Head of Timpani and Percussion at the Royal Academy of Music and Principal Percussionist of the London Symphony Orchestra. James Blades' famous book has been referred to as the 'percussionist's bible'. It is established as the definitive reference work on the subject. This extended edition includes two additional chapters by leading solo percussionist, Dame Evelyn Glennie, and by Neil Percy, Head of Timpani and Percussion at the Royal Academy of Music. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780995757431
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Paperback. Etat : New. This definitive encyclopaedic work explores the origins of percussion through the development of the early drums and xylophones right up to the wide range of modern instruments and the sounds they make. James Blades covers these early developments globally from China and the Far East, India and Tibet, the early civilisations in Mesopotamia, Egypt, Greece, Rome and Persia through to mediaeval and renaissance Europe. He continues to examine the role of percussion in the classical and romantic orchestras and finally looks at the ways composers have pushed the boundaries in modern music. Each chapter has its own photographs, illustrations and bibliography and there are comprehensive indices referencing all the composers and works discussed.This extended edition includes two important new chapters. The first covers the rise of the solo percussionist and is written by the world's leading practitioner and one of Blades' former pupils, Dame Evelyn Glennie, who also contributes a new Foreword, while recent developments in orchestral percussion are covered by Neil Percy, Head of Timpani and Percussion at the Royal Academy of Music and Principal Percussionist of the London Symphony Orchestra. N° de réf. du vendeur LU-9780995757431
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Paperback. Etat : Brand New. revised edition. 529 pages. 9.25x7.25x1.50 inches. In Stock. N° de réf. du vendeur __0995757437
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