"I am thrown by Hari's collection where the city is akimbo and cut with cactus sap, whalesong, the child and father where the voice shakes with the elders drinking grog, longing for stray dogs and alleyways. In the gentle sway of a flag, Hari finds violence-because he carries a new, quiet brush of multi-currents, of multi-worlds to paint this holographic life-scape; a most rare set of poems-with jazz beat word lines, long-line wisdom and open space scenes where you can widen your eyes, scrape your hands and rush into colliding worlds, the "phosphorescence," that is, the "flow mixed," the "blur of it," "the infinite capacities," the "drunk-walk" of total vision. Love this post-surreal kulingtang, read Hari's oceanics, his cement melter; it is pushing out your green rain skin-come back with your delicious original self. Bravo, many bravos!" -Juan Felipe Herrera, former U.S. Poet Laureate
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Hari Alluri is the author of The Flayed City (Kaya, 2017), Carving Ashes (CiCAC, 2013) and the chapbook The Promise of Rust (Mouthfeel, 2016). An award-winning poet, educator, and teaching artist, his work appears widely in anthologies, journals and online venues, including Chautauqua, Poetry International and Split This Rock. He is a founding editor at Locked Horn Press, where he has co-edited two anthologies, Gendered & Written: Forums on Poetics and Read America(s): An Anthology. He holds an MFA in Creative Writing from San Diego State University and, along with the Federico Moramarco Poetry International Teaching Prize, he has received VONA/Voices and Las Dos Brujas fellowships and a National Film Board of Canada grant. Hari immigrated to Vancouver, Coast Salish territories at age twelve, and writes there again.
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