The two halves of Score and Bone form either side of a mobius strip, two sides of a ribbon of perception and self-observation. As in the first poem, " Score," with its gorgeously autonomous and slightly surreal images, the poems in the book's eponymous first half have a filmic quality, as if directed and observed by an omnipotent narrator-self. The second half is made up of experiences, objects, and " The Treachery of Objects... " The poet observes herself recovering from major surgery, first as if on film, daily rushes, with quick cuts, and then she feels as the experience deeply means-- " Isolate the pain, the size of a buffalo nickel" -- staring steadily into the scar that is both companion and abyss. This is a deft, lovely, sometimes whimsical, poem-journal of recovery. -Joyce Jenkins
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Maw Shein Win is a Burmese American poet, editor, and educator who lives and works in the Bay Area. Her writing has appeared in many print and online journals and most recently in the anthology CROSS STROKES: POETRY BETWEEN LOS ANGELES AND SAN FRANCISCO (Otis Books/Seismicity Editions). Ruins of a glittering palace, her collaborative chapbook, with paintings by Mark Dutcher, was published by SPA/Commonwealth Projects. She is a poetry editor for Rivet: The Journal of Writing that Risks and was selected as the first poet laureate of El Cerrito, California.
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