Some say Abraham Smith's live readings are the best in America, except it's more accurate to say he howls rather than reads. So, better to call his readings hollerings, which often times might take place next to a tree. Listen to his howl via the flexi-disc included in DESTRUCTION OF MAN. You will hear the postmodern pastoral incantatory prophesy told through colloquialism and a minding of song. Music has a scent and the song logic as this book meanders along that broken and disjointed road. Regional writing is a curse, it seems; but this book is unabashedly regional, in the sense that Smith sought to translate the stories of his native county--and thereby the fading gleam or echo of a dying agrarian lifeway. This is a book-length poem about small scale family farming in the midst of the get-big-or-get-out mantra and foghorn. More broadly, this is a book-length poem about culture history and masculinity and our rupturing and sometimes obliterating elisions with machines. The conclusions are clarion clear: rurality has its hectic musics and all we have is love. Gertrude Stein said the seed of DESTRUCTION OF MAN: "After all anybody is as their land and air is."
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Abraham Smith is the author of four poetry collections: Ashagalomancy (Action Books, 2015); Only Jesus Could Icefish in Summer (Action Books, 2014); Hank (Action Books, 2010); and Whim Man Mammon (Action Books, 2007). In 2015, he released Hick Poetics (Lost Roads Press), a co-edited anthology of contemporary rural American poetry and related essays. His creative work has been recognized with fellowships from the Fine Arts Work Center, Provincetown, MA, and the Alabama State Council on the Arts. Destruction of Man, his book-length poem about farming, is forthcoming in Spring 2018 from Third Man Books. This fall, Smith joins the Weber State University community as an Assistant Professor of English.
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