Articles liés à The Interrupted Breath

The Interrupted Breath - Couverture souple

Zimmerman, Daniel

 
9780998482989: The Interrupted Breath

Synopsis

if none of us despairof consequences, of the darkwe share, the interrupted breathcould sing.At its core, Dan Zimmerman's illuminating new book of poetry, the interrupted breath, delves into the burden of language human beings must endure as the central tool for communication. The English language is a magnificent, beautiful but ultimately unstable and imperfect tool to be sure, and Zimmerman’s work captures the heroic efforts of one individual to use this tool to make him/herself known to another in a meaningful way. More than most poets writing today, Zimmerman understands the challenges and complexities of language...as well as its potential to convey the deepest human truths if used skillfully. When this happens, it is heroic and profound, when it doesn't, the results are tragic, and Zimmerman shows us the full spectrum of outcomes in his impressive body of tightly constructed, sophisticated, and moving poetic gems.

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À propos de l'auteur

Daniel Zimmerman, a native of Buffalo, has taught English at Middlesex County College in Edison, NJ, since 1979. A founder of Niagara-Erie Writers, a consortium of artists and small presses in Buffalo, and former artist-in-residence there, he has also worked as a landscaper, reporter, and freelance writer. The Institute of Further Studies included his fascicle, Perspective, in its series, a curriculum of the soul (Canton, NY: 1974). He collaborated with expatriate American/Canadian artist Richard Sturm on a livre deluxe, See All the people (lithographs and embossings: Toronto: Open Studio/ Scarborough College, 1976). His dissertation (State University at Buffalo, 1983) explored the poetics of William Blake and John Milton. In 1990, he received a Mellon Fellowship to study visionary poetry at the Graduate School, City University of New York, and recently Philosophy of Language and the poetry of “Eccentric Moderns” as a McGraw Fellow at Princeton. In 1997, he invented a new, anagrammatical poetic form, Isotopes. In the early ’70s, he edited the single-issue magazines The Western Gate and Brittannia. From 1996 to 2001, he edited College English Notes for the New Jersey College English Association, and now serves as an editor of Middlesex: a literary journal. Dan has published several collections of poetry, including Indian Rope Trick (House Organ #9, Lakewood, OH, 1994), Tattoos for Proteus (:that: #18, Peacham, VT, 1994), the trans-temporal collaboration blue horitals (with John Clarke: Amman, Jordan: Oasii, 1997), ISOTOPES (London: Frame Publications, 2001), the Editor’s Choice winner Post-Avant (Columbus, OH: Pavement Saw Press, 2002; introductory note by Robert Creeley), and ISOTOPES2 (Chicago: beardofbees.com, 2007). His work has recently appeared in Chain, dispatchespoetrywars.com, Tinfish, Deluxe Rubber Chicken, House Organ, Snakeskin, Origami Condom, On Barcelona, This Broken Shore, the anthologies An Exaltation of Forms, Palisades, Parkways & Pinelands, and in ETC: A Review of General Semantics.

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