Sam Rosenthal first used the Internet as a confused and closeted gay teen who longed for an online escape from his offline reality. Rosenthal explores the alienation he experienced socially and the refuge he found on the Internet by appropriating images from real-time network cameras, known as "netcams." The cameras are accessed through unencrypted servers on the world wide web and are available to anyone with an Internet connection. Information such as geographic location and ownership of these netcams isn’t provided, leaving the cameras without identity or clear intention. Yet, still, the artist sees them as an escape. "I believe I've visited these places even though I don't know where they are," he says.For Here Nor There, Rosenthal sought out camera feeds displaying uncanny scenes; the ones familiar and mundane, yet unidentifiable and dreamlike. The book features fantastical imagery of palm trees, pastel colors, and vibrant sunsets that conjure up feelings of an idealistic world. But Internet connections are imperfect and data loss often translates into visual flaws of pixelation and static, breaking those idealistic illusions. This assault of dropped packets disrupts the fantasy and grounds the images in reality. The Internet can never provide a permanent escape, leaving both the artist and his viewers lost somewhere in cyberspace, neither here nor there.
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Sam Rosenthal is an image-based artist examining Queerness in context of the digital age. He uses electronics, both modern and obsolete, to define the mutability of an image by employing unconventional, and often, experimental modes of processing. These methods include the exploitation of internet camera networks, data and signal manipulation, and scanography to represent his Queer experience. Visually, his work appears degraded as evidence of process and is juxtaposed by traditionally picturesque imagery. Sam lives and works in New York City.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. Sam Rosenthal first used the Internet as a confused and closeted gay teen who longed for an online escape from his offline reality. Rosenthal explores the alienation he experienced socially and the refuge he found on the Internet by appropriating images from real-time network cameras, known as "netcams." The cameras are accessed through unencrypted servers on the world wide web and are available to anyone with an Internet connection. Information such as geographic location and ownership of these netcams isn't provided, leaving the cameras without identity or clear intention. Yet, still, the artist sees them as an escape. "I believe I've visited these places even though I don't know where they are," he says.For Here Nor There, Rosenthal sought out camera feeds displaying uncanny scenes; the ones familiar and mundane, yet unidentifiable and dreamlike. The book features fantastical imagery of palm trees, pastel colors, and vibrant sunsets that conjure up feelings of an idealistic world. But Internet connections are imperfect and data loss often translates into visual flaws of pixelation and static, breaking those idealistic illusions. This assault of dropped packets disrupts the fantasy and grounds the images in reality. The Internet can never provide a permanent escape, leaving both the artist and his viewers lost somewhere in cyberspace, neither here nor there. Sam Rosenthal first used the Internet as a confused and closeted gay teen who longed for an online escape from his offline reality. Rosenthal explores the alienation he experienced socially and the refuge he found on the Internet by appropriating images from real-time network cameras, known as "netcams." Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9780999207857
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Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Sam Rosenthal first used the Internet as a confused and closeted gay teen who longed for an online escape from his offline reality. Rosenthal explores the alienation he experienced socially and the refuge he found on the Internet by appropriating images from real-time network cameras, known as 'netcams.' The cameras are accessed through unencrypted servers on the world wide web and are available to anyone with an Internet connection. Information such as geographic location and ownership of these netcams isn't provided, leaving the cameras without identity or clear intention. Yet, still, the artist sees them as an escape. 'I believe I've visited these places even though I don't know where they are,' he says.For Here Nor There, Rosenthal sought out camera feeds displaying uncanny scenes; the ones familiar and mundane, yet unidentifiable and dreamlike. The book features fantastical imagery of palm trees, pastel colors, and vibrant sunsets that conjure up feelings of an idealistic world. But Internet connections are imperfect and data loss often translates into visual flaws of pixelation and static, breaking those idealistic illusions. This assault of dropped packets disrupts the fantasy and grounds the images in reality. The Internet can never provide a permanent escape, leaving both the artist and his viewers lost somewhere in cyberspace, neither here nor there. N° de réf. du vendeur 9780999207857
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