Explores the meanings and iconography of monumental paintings of Christ's miracles in late Byzantine churches, and demonstrates that, far from the formulaic ensembles they are often mistaken to be, these painted cycles were carefully and inventively crafted by the cultural milieu at a pivotal time in the early Palaiologan era.
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MARIA ALESSIA ROSSI is an Art History Specialist at the Index of Medieval Art at Princeton University. She has co-edited Late Byzantium Reconsidered: The Arts of the Palaiologan Era in the Mediterranean (2019), Byzantium in Eastern European Visual Culture in the Late Middle Ages (2020), and Eclecticism in Late Medieval Visual Culture at the Crossroads of the Latin, Greek, and Slavic Cultural Spheres (2021). She is the cofounder of the initiative North of Byzantium and the digital platform Mapping Eastern Europe.
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