Between the sixth and eighth centuries CE, the image emerged as a rhetorical category in religious literature produced in the Mediterranean basin. The development was not a uniquely Christian phenomenon. Rather, it emerged in the context of broader debates about symbolic forms that took place across a wide range of ethnic, linguistic, and religious groups who inhabited the late Roman and early Byzantine world. In this book, Alexei Sivertsev demonstrates how Jewish texts serve as an important, and until recently overlooked, witness to the formation of image discourse and associated practices of image veneration in late antiquity and the early Middle Ages. Addressing the role of the image as a rhetorical device in Jewish liturgical poetry, Sivertsev also considers the theme of the engraved image of Jacob in its early Byzantine context and the aesthetics of spaces that bridge the gap between the material and the immaterial in early Byzantine imagination.
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Alexei M. Sivertsev is Professor in the Department of Religious Studies at DePaul University. He was a recipient of the Fulbright Senior Scholar Award, in residence at the Department of Jewish Art at Bar-Ilan University in 2021, and the Seymour Gitin Distinguished Professorship at the W. F. Albright Institute of Archaeological Research in Jerusalem in 2022. He is the author of several books, most recently, Judaism and Imperial Ideology in Late Antiquity (2011). His articles have appeared in Catholic Biblical Quarterly, the Journal of Early Christian Studies, and numerous collected volumes.
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Hardcover. Etat : new. Hardcover. Between the sixth and eighth centuries CE, the image emerged as a rhetorical category in religious literature produced in the Mediterranean basin. The development was not a uniquely Christian phenomenon. Rather, it emerged in the context of broader debates about symbolic forms that took place across a wide range of ethnic, linguistic, and religious groups who inhabited the late Roman and early Byzantine world. In this book, Alexei Sivertsev demonstrates how Jewish texts serve as an important, and until recently overlooked, witness to the formation of image discourse and associated practices of image veneration in late antiquity and the early Middle Ages. Addressing the role of the image as a rhetorical device in Jewish liturgical poetry, Sivertsev also considers the theme of the engraved image of Jacob in its early Byzantine context and the aesthetics of spaces that bridge the gap between the material and the immaterial in early Byzantine imagination. Explores the rise of image as a rhetorical category in Jewish and Christian literature originating between the sixth and eighth centuries. This book demonstrates how Jewish texts serve as an important witness to the formation of image discourse and associated practices of image veneration. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781009424530
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