With this book, Brooke O'Harra takes up directing as an artistic practice in and of itself. Speaking beyond and against craft, O'Harra drives the art of directing forward.
O'Harra investigates a series of important questions: How do we wrest our work from institutional imperatives of public building and culture building? How can an artist-driven discourse lead us toward the urgencies of artists and their publics in this moment? How do we "make" plays? How do we activate the relationships of making, whether between artists in the rehearsal room or between the production and the audience? Brooke addresses all aspects of the directorial process: reckoning with the script through dramaturgy, working within the rehearsal room, collaborating with other artists, as well as staging and production.
This exploration will be of great interest to students and scholars in performance studies with a particular interest in directing.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Brooke O'Harra teaches acting and directing, queer performance practices, and experimental playwriting at the University of Pennsylvania, USA.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -With this book, Brooke O'Harra takes up directing as an artistic practice in and of itself. Speaking beyond and against craft, O'Harra drives the art of directing forward.O'Harra investigates a series of important questions: How do we wrest our work from institutional imperatives of public building and culture building How can an artist-driven discourse lead us toward the urgencies of artists and their publics in this moment How do we 'make' plays How do we activate the relationships of making, whether between artists in the rehearsal room or between the production and the audience Brooke addresses all aspects of the directorial process: reckoning with the script through dramaturgy, working within the rehearsal room, collaborating with other artists, as well as staging and production.This exploration will be of great interest to students and scholars in performance studies with a particular interest in directing. 122 pp. Englisch. N° de réf. du vendeur 9781032182032
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