Remaking Culture and Music Spaces - Couverture souple

Livre 330 sur 369: Routledge Advances in Sociology
 
9781032184999: Remaking Culture and Music Spaces

Synopsis

This collection analyses the remaking of culture and music spaces during the ongoing COVID-19 pandemic. Its central focus is how cultural producers negotiated radically disrupted and uncertain conditions by creating, designing and curating new objects and events, and through making alternative combinations of practices and spaces.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

À propos de l?auteur

Ian Woodward is Professor of Cultural Sociology at Syddansk Universitet, Denmark. He is an internationally recognised scholar in the sociology of consumption and material cultures, the sociology of cosmopolitanism, and aspects of cultural production and consumption in contemporary music economies. Most recently, he was co-editor of The Oxford Handbook of Consumption, and his books include Labels: Making Independent Music, The Sociology of Cosmopolitanism, The Festivalization of Culture, and Vinyl: The Analogue Record in the Digital Age.

Jo Haynes is Associate Professor in Sociology at the University of Bristol. Her research focuses on the sociology of popular music, ethnicity/race, diversities, and cultural work, (digital) entrepreneurship; and the cultural industries. She has published a research monograph called Music, Difference and the Residue of Race and has published in leading journals including British Journal of Sociology, Cultural Sociology, and New Media & Society.

Pauwke Berkers is Professor of Sociology of Popular Music in the Department of Arts and Culture Studies, Erasmus University Rotterdam. He is an expert in the study of inequalities in arts and culture--particularly race/ethnicity and gender. He has published in leading journals in sociology and gender studies. Berkers has coordinated several national and international research projects.

Aileen Dillane is Senior Lecturer in Music at the University of Limerick. Her research interests include local/global Irish musical identities, protest music, and music festivals. Select publications include the co-edited volumes Songs of Social Protest: International Perspectives (2018), and Public and Political Discourses of Migration (2016).

Karolina Golemo is a sociologist of culture, and Assistant Professor at the Institute of Intercultural Studies, Jagiellonian University in Krakow. Her research interests focus on cultural diversity of Italy, Spain, and Portugal; cross-cultural identities and integration of immigrants' descendants, migrants and artistic expression; music in intercultural relations; and postcolonial relations in cultural perspective.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Autres éditions populaires du même titre

9781032184968: Remaking Culture and Music Spaces

Edition présentée

ISBN 10 :  1032184965 ISBN 13 :  9781032184968
Editeur : Routledge, 2022
Couverture rigide