This book examines the impact of cinema closures and the shift to small-screen consumption on our aesthetic and subjective desires during the Covid-19 from a Lacanian perspective. The chapters hold a unique focus on the psychoanalysis, and the subjective implications of the shift from cinema to the small screen of domestic space.
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Carol Owens is a psychoanalyst and psychoanalytic scholar in Dublin, Ireland. She is the founder of the Dublin Lacan study group, co-organiser of the Irish Psychoanalytic Film Festival, and has published widely on the theory and practice of Lacanian psychoanalysis. She is series editor for Routledge's Studying Lacan's Seminars series. Her most recent book is Psychoanalysing Ambivalence: On and Off the Couch with Freud and Lacan (with Stephanie Swales, Routledge, 2020).
Sarah Meehan O'Callaghan is an independent scholar within the fields of Lacanian psychoanalysis, body/disability, drama, and sexuality studies. Her PhD was an interdisciplinary study of the trauma of the body in the drama of Artaud, Beckett and Genet within a Lacanian psychoanalytic perspective. She has published psychoanalytic articles on themes such as disability, sexuality, the phallus, and the intersections of phenomenology and psychoanalysis. She is co-organiser of the Irish Psychoanalytic Film Festival.
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