Articles liés à Reconstructing Performance Art
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Livre 178 sur 256: Routledge Advances in Theatre & Performance Studies
Synopsis
This book investigates the practices of reconstructing and representing performance art and their power to shape this art form and our understanding of it.
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À propos de l'auteur
Tancredi Gusman is Assistant Professor in Theater and Performance Studies at the Department of History, Humanities and Society, University of Rome Tor Vergata. From 2017 to 2019 he led the EU Horizon 2020 project "Between Evidence and Representation: History of Performance Art Documentation from 1970 to 1977" at the Freie Universität Berlin and was Marie Sklodowska-Curie Research Fellow at the International Research Center "Interweaving Performance Cultures." He is currently co-convenor of the Historiography Working Group of the International Federation for Theatre Research (IFTR). His research investigates the politics of representation and spectatorship, and the histories of performance art, performance documentation and theater criticism.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Reconstructing Performance Art (Paperback)
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Taylor & Francis Ltd, London, 2024
ISBN 10 : 1032231351
ISBN 13 : 9781032231358
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Paperback. Etat : new. Paperback. This book investigates the practices of reconstructing and representing performance art and their power to shape this art form and our understanding of it. Performance art emerged internationally between the 1960s and 1970s crossing disciplinary boundaries between performing arts and visual arts. Because of the challenge it posed to the ontologies and paradigms of these fields, performance art has since stimulated an ongoing debate on the most appropriate means to document, preserve and display it. Tancredi Gusman brings together international scholars from different disciplinary fields to examine methods, media, and approaches by which this art form has been represented and (re)activated over time and its transnational history reconstructed. Through contributions and case studies spanning various countries, regions and artistic fields, the authors outline an innovative theoretical-methodological framework for capturing the processes and strategies for transmitting the tangible and intangible heritage of performance art. This book will be of great appeal to students, researchers, and practitioners in the fields of Theatre and Performance Studies as well as Visual Arts and Art History, who have an interest in performance art, its history and presence in the contemporary artistic and cultural landscape. This book investigates the practices of reconstructing and representing performance art and their power to shape this art form and our understanding of it. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781032231358
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Reconstructing Performance Art : Practices of Historicisation, Documentation and Representation
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ISBN 10 : 1032231351
ISBN 13 : 9781032231358
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Reconstructing Performance Art
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ISBN 10 : 1032231351
ISBN 13 : 9781032231358
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Paperback. Etat : New. This book investigates the practices of reconstructing and representing performance art and their power to shape this art form and our understanding of it. Performance art emerged internationally between the 1960s and 1970s crossing disciplinary boundaries between performing arts and visual arts. Because of the challenge it posed to the ontologies and paradigms of these fields, performance art has since stimulated an ongoing debate on the most appropriate means to document, preserve and display it. Tancredi Gusman brings together international scholars from different disciplinary fields to examine methods, media, and approaches by which this art form has been represented and (re)activated over time and its transnational history reconstructed. Through contributions and case studies spanning various countries, regions and artistic fields, the authors outline an innovative theoretical-methodological framework for capturing the processes and strategies for transmitting the tangible and intangible heritage of performance art. This book will be of great appeal to students, researchers, and practitioners in the fields of Theatre and Performance Studies as well as Visual Arts and Art History, who have an interest in performance art, its history and presence in the contemporary artistic and cultural landscape. N° de réf. du vendeur LU-9781032231358
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