Shakespeare and Cultural Appropriation - Couverture rigide

Livre 168 sur 256: Routledge Advances in Theatre & Performance Studies
 
9781032303086: Shakespeare and Cultural Appropriation

Synopsis

Shakespeare and Cultural Appropriation pushes back against two intertwined binaries: the idea that appropriation can only be either theft or gift, and the idea that cultural appropriation should be narrowly defined as an appropriative contest between a hegemonic and marginalized power. In doing so, the contributions to the collection provide tools for thinking about appropriation and cultural appropriation as spectrums constantly evolving and renegotiating between the poles of exploitation and appreciation.

This collection argues that the concept of cultural appropriation is one of the most undertheorized yet evocative frameworks for Shakespeare appropriation studies to address the relationships between power, users, and uses of Shakespeare. By robustly theorizing cultural appropriation, this collection offers a foundation for interrogating not just the line between exploitation and appreciation, but also how distinct values, biases, and inequities determine where that line lies. Ultimately, this collection broadly employs cultural appropriation to rethink how Shakespeare studies can redirect attention back to power structures, cultural ownership and identity, and Shakespeare's imbrication within those networks of power and influence. Throughout the contributions in this collection, which explore twentieth and twenty-first century global appropriations of Shakespeare across modes and genres, the collection uncovers how a deeper exploration of cultural appropriation can reorient the inquiries of Shakespeare adaptation and appropriation studies.

This collection will be of great interest to students and scholars in theatre and performance studies, Shakespeare studies, and adaption studies.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

À propos de l?auteur

Vanessa I. Corredera is Chair of and Associate Professor in the Department of English at Andrews University, USA.

L. Monique Pittman is Professor of English and Director of the J. N. Andrews Honors Program at Andrews University, USA.

Geoffrey Way is the Manager of Publishing Futures for the Arizona Center for Medieval and Renaissance Studies at Arizona State University, USA.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Autres éditions populaires du même titre

9781032303109: Shakespeare and Cultural Appropriation

Edition présentée

ISBN 10 :  1032303107 ISBN 13 :  9781032303109
Editeur : Routledge, 2024
Couverture souple