Articles liés à Music Performers' Lived Experiences
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Livre 46 sur 49: SEMPRE Studies in The Psychology of Music
Synopsis
The Music Performers' Lived Experiences seeks to widen this research area through close investigations of a variety of rich, and nuanced experiences classical music performers have qua performers, as they interact with musical scores and wider artistic and cultural discourses, norms and beliefs.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
À propos de l'auteur
Mine Doğantan-Dack is a musicologist and concert pianist. Mine has published many articles on the phenomenology of live performing, dynamics of chamber music performance, pianistic touch, methodology in artistic research, history of music theory, and several edited books including Recorded Music: Philosophical and Critical Reflections (2008), Artistic Practice as Research in Music (2015), Music and Sonic Art (2018), Rethinking the Musical Instrument (2022) and The Chamber Musician in the Twenty-First Century (2022). Mine performs as a soloist and chamber musician, and has given performances of most of the major piano concerti with various orchestras. She taught at the University of Oxford, and was Professor of Music Performance Studies at the University of Manchester. She currently teaches music performance studies at the Faculty of Music, University of Cambridge.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Music Performers' Lived Experiences (Hardcover)
Edité par
Taylor & Francis Ltd, London, 2025
ISBN 10 : 1032403721
ISBN 13 : 9781032403724
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Hardcover. Etat : new. Hardcover. The two volumes on Music Performers Lived Experiences seeks to widen this research area through close investigations of a variety of rich, complex and nuanced experiences classical music performers have qua performers, as they interact with musical scores, instruments, performance traditions, other musicking individuals, wider artistic and cultural discourses, norms and beliefs.The two volumes aim to humanise music performers and contribute towards shaping a more performer-centred discipline of Music Performance Studies. The first volume, Music Performers Lived Experiences: Theory, Method, Interpretation, brings together internationally renowned scholars, who capture and scrutinise, through a variety of methods, a wide range of experiences performers haveas well as the personally meaningful lived experience narratives performers constructpresenting vivid portraits of music performers as artists situated in unique socio-cultural, historical, embodied and discursive contexts. The topics discussed include the construction of the idea of the composer from lived experiences of performing, manifestations of wisdom in the ways performers make sense of their experiences, joys of sight-reading, performer agency, lived experience as the basis of performance analysis, emotional labour of working with controversial repertoire, performance anxiety dreams of music performers, experience of working across musical genres, the nature of intersubjective experiences in music-making, absorption, and subjective bodily sensations in performance.Readers will come away from the book with fresh insights about and an enhanced understanding of the infinitely rich lifeworld of music performers.Chapter 9 of this book is freely available as a downloadable Open Access PDF at under a Creative Commons (CC BY) 4.0 license. The Music Performers Lived Experiences seeks to widen this research area through close investigations of a variety of rich, and nuanced experiences classical music performers have qua performers, as they interact with musical scores and wider artistic and cultural discourses, norms and beliefs. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781032403724
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Music Performers' Lived Experiences (Hardcover)
Edité par
Taylor & Francis Ltd, London, 2025
ISBN 10 : 1032403721
ISBN 13 : 9781032403724
Neuf
Couverture rigide
Vendeur : CitiRetail, Stevenage, Royaume-Uni
Évaluation du vendeur 5 sur 5 étoiles
Hardcover. Etat : new. Hardcover. The two volumes on Music Performers Lived Experiences seeks to widen this research area through close investigations of a variety of rich, complex and nuanced experiences classical music performers have qua performers, as they interact with musical scores, instruments, performance traditions, other musicking individuals, wider artistic and cultural discourses, norms and beliefs.The two volumes aim to humanise music performers and contribute towards shaping a more performer-centred discipline of Music Performance Studies. The first volume, Music Performers Lived Experiences: Theory, Method, Interpretation, brings together internationally renowned scholars, who capture and scrutinise, through a variety of methods, a wide range of experiences performers haveas well as the personally meaningful lived experience narratives performers constructpresenting vivid portraits of music performers as artists situated in unique socio-cultural, historical, embodied and discursive contexts. The topics discussed include the construction of the idea of the composer from lived experiences of performing, manifestations of wisdom in the ways performers make sense of their experiences, joys of sight-reading, performer agency, lived experience as the basis of performance analysis, emotional labour of working with controversial repertoire, performance anxiety dreams of music performers, experience of working across musical genres, the nature of intersubjective experiences in music-making, absorption, and subjective bodily sensations in performance.Readers will come away from the book with fresh insights about and an enhanced understanding of the infinitely rich lifeworld of music performers.Chapter 9 of this book is freely available as a downloadable Open Access PDF at under a Creative Commons (CC BY) 4.0 license. The Music Performers Lived Experiences seeks to widen this research area through close investigations of a variety of rich, and nuanced experiences classical music performers have qua performers, as they interact with musical scores and wider artistic and cultural discourses, norms and beliefs. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781032403724
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Music Performers Lived Experiences
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Taylor & Francis, 2025
ISBN 10 : 1032403721
ISBN 13 : 9781032403724
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Mine Dogantan-Dack is a musicologist and concert pianist. Mine has published many articles on the phenomenology of live performing, dynamics of chamber music performance, pianistic touch, methodology in artistic research, history of musi. N° de réf. du vendeur 2091773283
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Music Performers' Lived Experiences : Theory, Method, Interpretation
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Music Performers' Lived Experiences (SEMPRE Studies in The Psychology of Music)
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Music Performers' Lived Experiences : Theory, Method, Interpretation
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Music Performers' Lived Experiences : Theory, Method, Interpretation
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Music Performers' Lived Experiences : Theory, Method, Interpretation
Edité par
Routledge, 2025
ISBN 10 : 1032403721
ISBN 13 : 9781032403724
Ancien ou d'occasion
Couverture rigide
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
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Music Performers' Lived Experiences: Theory, Method, Interpretation: Volume One: 1 (SEMPRE Studies in The Psychology of Music)
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Music Performers' Lived Experiences
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Taylor and Francis, 2025
ISBN 10 : 1032403721
ISBN 13 : 9781032403724
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