Weida Wang explores how Western classical music (WCM) has become increasingly popular in China, framing the industry as a complex entity intricately embedded within China’s political landscape, cultural economy, and cultural industries. Wang highlights how authorities and organisers strive to build powerful brands to support the industry’s growth, aiming to tap into the vast domestic market and showcase China’s achievements in WCM on the global stage as part of broader cultural diplomacy efforts. The study delves into the mechanisms and underlying logics driving the rapid expansion of the WCM market in contemporary China.
With the rise of China’s economy since its government’s late-1970s economic and political reform, WCM has become a useful tool for showcasing changes to the image of ‘modern’ and ‘contemporary’ China. At the same time, a new Chinese middle class, following the rapid economic (and cultural) development in China’s coastal cities, has also emerged, becoming a substantial demographic involved in the learning, appreciation, and consumption of WCM. Especially in the past 20 years, a new WCM scene has developed quickly and established as an industry in China; one critically enmeshed in both the business and political worlds. Many ground-breaking cultural events have taken place in the last decades. These have shown themselves to be huge forces behind the development of China’s domestic (and fledgling international) classical music aspirations.
The book will be valuable for those interested in arts/music management, music industry studies, China studies, cultural and creative industry studies, and ethnomusicology.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Weida Wang is a scholar and lecturer specialising in music industry studies, sound art studies, and cultural studies in music. With a PhD in music from Royal Holloway, University of London, Wang serves as a lecturer and guest lecturer at institutions such as the University of Liverpool, Heidelberg University, and Point Blank Music School in London.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. Weida Wang explores how Western classical music (WCM) has become increasingly popular in China, framing the industry as a complex entity intricately embedded within Chinas political landscape, cultural economy, and cultural industries. Wang highlights how authorities and organisers strive to build powerful brands to support the industrys growth, aiming to tap into the vast domestic market and showcase Chinas achievements in WCM on the global stage as part of broader cultural diplomacy efforts. The study delves into the mechanisms and underlying logics driving the rapid expansion of the WCM market in contemporary China.With the rise of Chinas economy since its governments late-1970s economic and political reform, WCM has become a useful tool for showcasing changes to the image of modern and contemporary China. At the same time, a new Chinese middle class, following the rapid economic (and cultural) development in Chinas coastal cities, has also emerged, becoming a substantial demographic involved in the learning, appreciation, and consumption of WCM. Especially in the past 20 years, a new WCM scene has developed quickly and established as an industry in China; one critically enmeshed in both the business and political worlds. Many ground-breaking cultural events have taken place in the last decades. These have shown themselves to be huge forces behind the development of Chinas domestic (and fledgling international) classical music aspirations.The book will be valuable for those interested in arts/music management, music industry studies, China studies, cultural and creative industry studies, and ethnomusicology. Weida Wang explores how Western classical music has become increasingly popular in China, framing the industry as a complex entity embedded within Chinas political landscape, cultural economy, and cultural industries. The study delves into the mechanisms and underlying logics driving the rapid expansion of this market in contemporary China. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781032565323
Quantité disponible : 1 disponible(s)
Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Weida Wang explores how Western classical music (WCM) has become increasingly popular in China, framing the industry as a complex entity intricately embedded within China's political landscape, cultural economy, and cultural industries. Wang highlights how authorities and organisers strive to build powerful brands to support the industry's growth, aiming to tap into the vast domestic market and showcase China's achievements in WCM on the global stage as part of broader cultural diplomacy efforts. The study delves into the mechanisms and underlying logics driving the rapid expansion of the WCM market in contemporary China.With the rise of China's economy since its government's late-1970s economic and political reform, WCM has become a useful tool for showcasing changes to the image of 'modern' and 'contemporary' China. At the same time, a new Chinese middle class, following the rapid economic (and cultural) development in China's coastal cities, has also emerged, becoming a substantial demographic involved in the learning, appreciation, and consumption of WCM. Especially in the past 20 years, a new WCM scene has developed quickly and established as an industry in China; one critically enmeshed in both the business and political worlds. Many ground-breaking cultural events have taken place in the last decades. These have shown themselves to be huge forces behind the development of China's domestic (and fledgling international) classical music aspirations.The book will be valuable for those interested in arts/music management, music industry studies, China studies, cultural and creative industry studies, and ethnomusicology. 192 pp. Englisch. N° de réf. du vendeur 9781032565323
Quantité disponible : 2 disponible(s)
Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
PAP. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. N° de réf. du vendeur L0-9781032565323
Quantité disponible : Plus de 20 disponibles
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. N° de réf. du vendeur L0-9781032565323
Quantité disponible : Plus de 20 disponibles
Vendeur : California Books, Miami, FL, Etats-Unis
Etat : New. N° de réf. du vendeur I-9781032565323
Quantité disponible : Plus de 20 disponibles
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. 2026. 1st Edition. paperback. . . . . . N° de réf. du vendeur V9781032565323
Quantité disponible : Plus de 20 disponibles
Vendeur : CitiRetail, Stevenage, Royaume-Uni
Paperback. Etat : new. Paperback. Weida Wang explores how Western classical music (WCM) has become increasingly popular in China, framing the industry as a complex entity intricately embedded within Chinas political landscape, cultural economy, and cultural industries. Wang highlights how authorities and organisers strive to build powerful brands to support the industrys growth, aiming to tap into the vast domestic market and showcase Chinas achievements in WCM on the global stage as part of broader cultural diplomacy efforts. The study delves into the mechanisms and underlying logics driving the rapid expansion of the WCM market in contemporary China.With the rise of Chinas economy since its governments late-1970s economic and political reform, WCM has become a useful tool for showcasing changes to the image of modern and contemporary China. At the same time, a new Chinese middle class, following the rapid economic (and cultural) development in Chinas coastal cities, has also emerged, becoming a substantial demographic involved in the learning, appreciation, and consumption of WCM. Especially in the past 20 years, a new WCM scene has developed quickly and established as an industry in China; one critically enmeshed in both the business and political worlds. Many ground-breaking cultural events have taken place in the last decades. These have shown themselves to be huge forces behind the development of Chinas domestic (and fledgling international) classical music aspirations.The book will be valuable for those interested in arts/music management, music industry studies, China studies, cultural and creative industry studies, and ethnomusicology. Weida Wang explores how Western classical music has become increasingly popular in China, framing the industry as a complex entity embedded within Chinas political landscape, cultural economy, and cultural industries. The study delves into the mechanisms and underlying logics driving the rapid expansion of this market in contemporary China. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781032565323
Quantité disponible : 1 disponible(s)
Vendeur : moluna, Greven, Allemagne
Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Weida Wang is a scholar and lecturer specialising in music industry studies, sound art studies, and cultural studies in music. With a PhD in music from Royal Holloway, University of London, Wang serves as a lecturer and guest lecturer at. N° de réf. du vendeur 3236056902
Quantité disponible : Plus de 20 disponibles
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Weida Wang explores how Western classical music (WCM) has become increasingly popular in China, framing the industry as a complex entity intricately embedded within China's political landscape, cultural economy, and cultural industries. Wang highlights how authorities and organisers strive to build powerful brands to support the industry's growth, aiming to tap into the vast domestic market and showcase China's achievements in WCM on the global stage as part of broader cultural diplomacy efforts. The study delves into the mechanisms and underlying logics driving the rapid expansion of the WCM market in contemporary China.With the rise of China's economy since its government's late-1970s economic and political reform, WCM has become a useful tool for showcasing changes to the image of 'modern' and 'contemporary' China. At the same time, a new Chinese middle class, following the rapid economic (and cultural) development in China's coastal cities, has also emerged, becoming a substantial demographic involved in the learning, appreciation, and consumption of WCM. Especially in the past 20 years, a new WCM scene has developed quickly and established as an industry in China; one critically enmeshed in both the business and political worlds. Many ground-breaking cultural events have taken place in the last decades. These have shown themselves to be huge forces behind the development of China's domestic (and fledgling international) classical music aspirations.The book will be valuable for those interested in arts/music management, music industry studies, China studies, cultural and creative industry studies, and ethnomusicology. N° de réf. du vendeur 9781032565323
Quantité disponible : 2 disponible(s)
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 12 pages. 6.14x0.41x9.21 inches. In Stock. N° de réf. du vendeur x-1032565322
Quantité disponible : 2 disponible(s)