Edith Wharton was not only the author of novels and short stories but also of drama, poetry, autobiography, interior decoration, and travel writing. This study focuses on Wharton’s symbolic representations of architecture in her travel writings. It shows how a network of allusions to travel writing and art history books influenced Wharton’s representations of architectural and natural spaces. The book demonstrates Wharton’s complex relationship to works of art historians (John Ruskin, Émile Mâle, Arthur C. Porter) and travel authors (Wolfgang Goethe, Henry Adams, Henry James) in the trajectory of her travel writing. Kovács surveys how the acknowledgment of Wharton’s sources sheds light both on the author’s model of aesthetic understanding and scenic architectural descriptions, and how the shock of the Great War changed Wharton’s travel destinations but not her symbolic view of architecture as a mediator of things past. Wharton’s symbolic representations of architecture provide a new key to her travel writings.
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Ágnes Zsófia Kovács is Associate Professor at the Department of American Studies, University of Szeged, Hungary. Her research interests include late-nineteenth-century proto-modern fiction, conversions of literary modernisms, popular fiction genres, and contemporary multicultural American fiction. Her current research into travel writing involves remapping travel texts by Edith Wharton. She has published two books, The Function of the Imagination in the Writings of Henry James: The Production of a Civilized Experience (2006) and Literature in Context (2010), co-edited Space, Gender and the Gaze (2017), and edited Edith Wharton’s Osprey Notes (2021). She sits on the editorial boards of Americana E-Journal and TNTeF E-Journal, Szeged; and Acta Philologica, Cluj (RO).
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Paperback. Etat : new. Paperback. Edith Wharton was not only the author of novels and short stories but also of drama, poetry, autobiography, interior decoration, and travel writing. This study focuses on Whartons symbolic representations of architecture in her travel writings. It shows how a network of allusions to travel writing and art history books influenced Whartons representations of architectural and natural spaces. The book demonstrates Whartons complex relationship to works of art historians (John Ruskin, Emile Male, Arthur C. Porter) and travel authors (Wolfgang Goethe, Henry Adams, Henry James) in the trajectory of her travel writing. Kovacs surveys how the acknowledgment of Whartons sources sheds light both on the authors model of aesthetic understanding and scenic architectural descriptions, and how the shock of the Great War changed Whartons travel destinations but not her symbolic view of architecture as a mediator of things past. Whartons symbolic representations of architecture provide a new key to her travel writings. It focuses on Whartons symbolic representations of architecture in her travel writings. It shows how allusions to travel writing and art history influenced her representations of spaces. How the shock of the Great War changed Whartons travel destinations but not her symbolic view of architecture as a mediator of the past. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781032580319
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