This volume examines the ontology of music groups. It connects two fascinating areas of philosophical research: the ontology of social groups and the philosophy of music.
Interest in questions about the nature of music groups is growing. Since people are widely familiar with music groups, the topic is particularly well-suited for introducing issues in social ontology. Being comparably small-scale and temporary, music groups also provide an excellent case study for those who think that social groups are analyzed best by considering small groups. The present volume provides a comprehensive overview of the topic and seeks to establish the ontology of music groups as a distinct field of philosophical research. The chapters, written by leading scholars working on social ontology, revolve around four core themes:
The contributors consider these themes across a wide range of music groups, including popular music groups, rock bands, alternative acts, hip hop crews, choirs and classical orchestras.
The Ontology of Music Groups will appeal to scholars and advanced students working in social ontology, metaphysics, and the philosophy of music.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Ludger Jansen is Cusanus Professor of Philosophy at the Philosophical-Theological College in Bressanone (Italy) and supernumerary professor at the University of Rostock (Germany), where he is principal investigator of a research project on the philosophy of biomimetics. His main research interests are metaphysics, ontology and the philosophy of science.
Thorben Petersen teaches philosophy at the University of Bremen, Germany. He obtained his PhD from The University of Bremen with a work on the nature of time. Thorben has published on various topics in the philosophy of time, including papers in Metaphysica and Philosophical Studies and a review paper in The Australasian Journal of Philosophy.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. This volume examines the ontology of music groups. It connects two fascinating areas of philosophical research: the ontology of social groups and the philosophy of music.Interest in questions about the nature of music groups is growing. Since people are widely familiar with music groups, the topic is particularly well-suited for introducing issues in social ontology. Being comparably small-scale and temporary, music groups also provide an excellent case study for those who think that social groups are analyzed best by considering small groups. The present volume provides a comprehensive overview of the topic and seeks to establish the ontology of music groups as a distinct field of philosophical research. The chapters, written by leading scholars working on social ontology, revolve around four core themes:The identity of music groupsVariations between different kinds of music groupsThe persistence and longevity of (different kinds of) music groupsVarious characteristics of music groups, including their rational and emotional aspects, as well as their creative abilitiesThe contributors consider these themes across a wide range of music groups, including popular music groups, rock bands, alternative acts, hip hop crews, choirs and classical orchestras.The Ontology of Music Groups will appeal to scholars and advanced students working in social ontology, metaphysics, and the philosophy of music. This volume examines the ontology of music groups. It connects two fascinating areas of philosophical research: the ontology of social groups and the philosophy of music. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781032593173
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