Interior Design on Edge explores ways that interiors both constitute and upset our edges, whether physical, conceptual or psychological, imagined, implied, necessary or discriminatory.
The essays in this volume explore these questions in history, theory, and praxis through a focus on different periods, cultures, and places. Interior Design on Edge showcases new scholarship that expands and contests traditional relationships between architecture, interiors, and the people that use and design them, provoking readers to consider the interior differently, moving beyond its traditional, architectural definition. Focusing on the concept of interiority considered in a wider sense, it draws on interdisciplinary modes of investigation and analysis and reflects the latest theoretical developments in the fields of interior design history and practice.
With new research from both established and emerging authors, this volume will make a valuable contribution to the fields of Interior Design, Architecture, Art and Design History, Cultural History, Visual Culture Studies, and Urban Studies.
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Erica Morawski, Ph.D., is an assistant professor in the Department of Art and Design History at the Pratt Institute in New York.
Deborah Schneiderman, RA, LEED AP, is a professor of Interior Design at the Pratt Institute and principal/founder of deSc: architecture/design/research.
Keena Suh is a professor in the Interior Design department at the Pratt Institute where she teaches design studios, electives, and construction courses at the undergraduate and graduate levels while coordinating the department's construction-related courses.
Karin Tehve is a professor of Interior Design at the Pratt Institute, where she coordinates the theory and undergraduate thesis curriculum in Interior Design.
Karyn Zieve, Ph.D., is an assistant dean of the School of Liberal Arts and Sciences and Adjunct Assistant Professor CCE in the History of Art and Design Department at the Pratt Institute. She earned her MA from University of Pennsylvania and her Ph.D. from Institute of Fine Arts, NYU.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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