This book explores how law can be understood through film by engaging creatively with the intellectual and aesthetic dimensions of both fields.
The contributors to this book consider the need to turn to film and what this means for how we come to understand law and its absences. The chapters explore a variety of narratives, aesthetics, cinematic epistemologies and legal phenomena; from assessing law in social debates to film as legal critique, from notions of justice to contemplations on evil, and from masculine vigilantism to radical feminism. Taken together, they constitute an inspiring body of work that embodies an urgency for diverse and subversive ways to challenge law’s formalism and authority; and to think about and respond variously to law’s impotence, its disappointment, or its boredom.
This book will appeal to legal scholars and students in law and the humanities, especially those with interests in aesthetics, law and literature, law and culture, law and society, and critical legal theory.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Vittoria Becci is a doctorate candidate at the Sciences Po Law School in Paris, France.
Alexia Katsiginis is a doctoral candidate at the Sciences Po Law School in Paris, France.
Edward van Daalen is a socio-legal researcher and postdoctoral fellow at the Labour Law and Development Research Laboratory (LLDRL) at McGill University, Canada.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. This book explores how law can be understood through film by engaging creatively with the intellectual and aesthetic dimensions of both fields.The contributors to this book consider the need to turn to film and what this means for how we come to understand law and its absences. The chapters explore a variety of narratives, aesthetics, cinematic epistemologies and legal phenomena; from assessing law in social debates to film as legal critique, from notions of justice to contemplations on evil, and from masculine vigilantism to radical feminism. Taken together, they constitute an inspiring body of work that embodies an urgency for diverse and subversive ways to challenge laws formalism and authority; and to think about and respond variously to laws impotence, its disappointment, or its boredom.This book will appeal to legal scholars and students in law and the humanities, especially those with interests in aesthetics, law and literature, law and culture, law and society, and critical legal theory. This book explores how law can be understood through film by engaging creatively with the intellectual and aesthetic dimensions of both fields. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781032609416
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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book explores how law can be understood through film by engaging creatively with the intellectual and aesthetic dimensions of both fields.The contributors to this book consider the need to turn to film and what this means for how we come to understand law and its absences. The chapters explore a variety of narratives, aesthetics, cinematic epistemologies and legal phenomena; from assessing law in social debates to film as legal critique, from notions of justice to contemplations on evil, and from masculine vigilantism to radical feminism. Taken together, they constitute an inspiring body of work that embodies an urgency for diverse and subversive ways to challenge law's formalism and authority; and to think about and respond variously to law's impotence, its disappointment, or its boredom.This book will appeal to legal scholars and students in law and the humanities, especially those with interests in aesthetics, law and literature, law and culture, law and society, and critical legal theory. 204 pp. Englisch. N° de réf. du vendeur 9781032609416
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Paperback. Etat : new. Paperback. This book explores how law can be understood through film by engaging creatively with the intellectual and aesthetic dimensions of both fields.The contributors to this book consider the need to turn to film and what this means for how we come to understand law and its absences. The chapters explore a variety of narratives, aesthetics, cinematic epistemologies and legal phenomena; from assessing law in social debates to film as legal critique, from notions of justice to contemplations on evil, and from masculine vigilantism to radical feminism. Taken together, they constitute an inspiring body of work that embodies an urgency for diverse and subversive ways to challenge laws formalism and authority; and to think about and respond variously to laws impotence, its disappointment, or its boredom.This book will appeal to legal scholars and students in law and the humanities, especially those with interests in aesthetics, law and literature, law and culture, law and society, and critical legal theory. This book explores how law can be understood through film by engaging creatively with the intellectual and aesthetic dimensions of both fields. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781032609416
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Vittoria Becci is a doctorate candidate at the Sciences Po Law School in Paris, France.Alexia Katsiginis is a doctoral candidate at the Sciences Po Law School in Paris, France.Edward van Daalen is a socio-legal research. N° de réf. du vendeur 3381499098
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