Beauty: The Body as Artefact traces the history of physical beauty in Western art and thought from antiquity to the eighteenth century. Bringing together foundational texts and newly translated works accompanied by scholarly commentaries, this volume explores how the human body was understood as both a product of nature and an artistic creation.
Examining the intersections of aesthetics, art theory, medical practices and cosmetics, it reveals how ideals of beauty and beautification shaped conceptions of gender, the body and artistic creation. The book focuses on the early modern period, when the cosmetic transformation of the body became closely associated with artistic imagery and techniques. Drawing on art-historical, philosophical and cultural perspectives, the volume presents key writings by figures from Cicero and Alberti to Behn and Hogarth, highlighting shifting notions of imitation, ornament and naturalness.
Suitable for undergraduates, postgraduates, and scholars in art history, cultural history and gender studies, Beauty: The Body as Artefact offers a framework for understanding physical beauty as a historical and artistic category at the intersection of image, body and knowledge.
The Open Access version of this book, available at www.taylorfrancis.com, has
been made available under a Creative Commons Attribution 4.0 International
(CC BY) license
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Romana Sammern is an art historian based at the Inter-University Organization Arts & Knowledges (University of Salzburg/Mozarteum University). She researches the intersections of body, image, and medicine in the early modern period. She holds a PhD from Humboldt University of Berlin and a habilitation from the University of Passau. Her research has been supported by fellowships in Austria, Germany, Italy, the United Kingdom, and the United States.
Julia Saviello is Assistant Professor at the Institute of Art History, Goethe University Frankfurt. Her research centres on hair and the human body, objects as image carriers, and the intersections of ceramics and nature in the early modern period. Her publications include Verlockungen. Haare in der Kunst der Frühen Neuzeit (2017) and Der Schild und das Bild (2026).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. Beauty: The Body as Artefact traces the history of physical beauty in Western art and thought from antiquity to the eighteenth century. Bringing together foundational texts and newly translated works accompanied by scholarly commentaries, this volume explores how the human body was understood as both a product of nature and an artistic creation.Examining the intersections of aesthetics, art theory, medical practices and cosmetics, it reveals how ideals of beauty and beautification shaped conceptions of gender, the body and artistic creation. The book focuses on the early modern period, when the cosmetic transformation of the body became closely associated with artistic imagery and techniques. Drawing on art-historical, philosophical and cultural perspectives, the volume presents key writings by figures from Cicero and Alberti to Behn and Hogarth, highlighting shifting notions of imitation, ornament and naturalness.Suitable for undergraduates, postgraduates, and scholars in art history, cultural history and gender studies, Beauty: The Body as Artefact offers a framework for understanding physical beauty as a historical and artistic category at the intersection of image, body and knowledge.The Open Access version of this book, available at , has been made available under a Creative Commons Attribution 4.0 International (CC BY) license This book traces the history of physical beauty in Western art and thought from antiquity to the eighteenth century. Bringing together foundational texts and newly translated works accompanied by scholarly commentaries, this volume explores how the human body was understood as both a product of nature and an artistic creation. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781032735719
Quantité disponible : 1 disponible(s)
Vendeur : CitiRetail, Stevenage, Royaume-Uni
Hardcover. Etat : new. Hardcover. Beauty: The Body as Artefact traces the history of physical beauty in Western art and thought from antiquity to the eighteenth century. Bringing together foundational texts and newly translated works accompanied by scholarly commentaries, this volume explores how the human body was understood as both a product of nature and an artistic creation.Examining the intersections of aesthetics, art theory, medical practices and cosmetics, it reveals how ideals of beauty and beautification shaped conceptions of gender, the body and artistic creation. The book focuses on the early modern period, when the cosmetic transformation of the body became closely associated with artistic imagery and techniques. Drawing on art-historical, philosophical and cultural perspectives, the volume presents key writings by figures from Cicero and Alberti to Behn and Hogarth, highlighting shifting notions of imitation, ornament and naturalness.Suitable for undergraduates, postgraduates, and scholars in art history, cultural history and gender studies, Beauty: The Body as Artefact offers a framework for understanding physical beauty as a historical and artistic category at the intersection of image, body and knowledge.The Open Access version of this book, available at , has been made available under a Creative Commons Attribution 4.0 International (CC BY) license This book traces the history of physical beauty in Western art and thought from antiquity to the eighteenth century. Bringing together foundational texts and newly translated works accompanied by scholarly commentaries, this volume explores how the human body was understood as both a product of nature and an artistic creation. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781032735719
Quantité disponible : 1 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 52121627-n
Quantité disponible : 10 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 52121627
Quantité disponible : 10 disponible(s)
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 52121627
Quantité disponible : 10 disponible(s)
Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. N° de réf. du vendeur 408831813
Quantité disponible : 3 disponible(s)
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : New. N° de réf. du vendeur 52121627-n
Quantité disponible : 10 disponible(s)
Vendeur : Books Puddle, Woodside, NY, Etats-Unis
Etat : New. N° de réf. du vendeur 26405403802
Quantité disponible : 3 disponible(s)
Vendeur : AussieBookSeller, Truganina, VIC, Australie
Hardcover. Etat : new. Hardcover. Beauty: The Body as Artefact traces the history of physical beauty in Western art and thought from antiquity to the eighteenth century. Bringing together foundational texts and newly translated works accompanied by scholarly commentaries, this volume explores how the human body was understood as both a product of nature and an artistic creation.Examining the intersections of aesthetics, art theory, medical practices and cosmetics, it reveals how ideals of beauty and beautification shaped conceptions of gender, the body and artistic creation. The book focuses on the early modern period, when the cosmetic transformation of the body became closely associated with artistic imagery and techniques. Drawing on art-historical, philosophical and cultural perspectives, the volume presents key writings by figures from Cicero and Alberti to Behn and Hogarth, highlighting shifting notions of imitation, ornament and naturalness.Suitable for undergraduates, postgraduates, and scholars in art history, cultural history and gender studies, Beauty: The Body as Artefact offers a framework for understanding physical beauty as a historical and artistic category at the intersection of image, body and knowledge.The Open Access version of this book, available at , has been made available under a Creative Commons Attribution 4.0 International (CC BY) license This book traces the history of physical beauty in Western art and thought from antiquity to the eighteenth century. Bringing together foundational texts and newly translated works accompanied by scholarly commentaries, this volume explores how the human body was understood as both a product of nature and an artistic creation. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9781032735719
Quantité disponible : 1 disponible(s)
Vendeur : Biblios, Frankfurt am main, HESSE, Allemagne
Etat : New. N° de réf. du vendeur 18405403792
Quantité disponible : 3 disponible(s)