In this unique study, Stephen Glynn demonstrates that Kate Bush’s work, in both sound and vision, has long been influenced and characterised by, and at times aimed at, film and television media.
The volume explores in depth Bush’s ‘music of allusion’ and analyses first the significance of film and television references throughout the lyrics and settings of her songs, beginning with her breakthrough hit ‘Wuthering Heights’. It also surveys the shaping presence of film and television in the look, narrative and artistry of her music videos, including the examination of celebrated works such as ‘Cloudbusting’ and ‘Hounds of Love’. Finally, the book assesses Bush’s most intensive cinematic undertaking, her 1993 album The Red Shoes, with its evident homage to the 1948 film of Michael Powell and Emeric Pressburger, and its concurrent visual reworking as Bush’s sole film venture, The Line, The Cross & The Curve. Thus, with its deployment across music, video and film, Glynn demonstrates the centrality of Kate Bush’s cinephilia to her work.
Accessible yet academically rigorous, Kate Bush and the Moving Image is a stand-out study of the iconic singer-songwriter’s discography and cinematic ventures. It will appeal to both students and scholars of Film, Television, Media, Cultural and Popular Music Studies.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Stephen Glynn lectures in Film at Television at De Montfort University, UK. His previous investigations of the interconnections between pop music performers and the visual media include David Bowie and Film (2022), The Beatles and Film (2021), Cultographies: Quadrophenia (2014), and The British Pop Music Film (2013).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. In this unique study, Stephen Glynn demonstrates that Kate Bushs work, in both sound and vision, has long been influenced and characterised by, and at times aimed at, film and television media.The volume explores in depth Bushs music of allusion and analyses first the significance of film and television references throughout the lyrics and settings of her songs, beginning with her breakthrough hit Wuthering Heights. It also surveys the shaping presence of film and television in the look, narrative and artistry of her music videos, including the examination of celebrated works such as Cloudbusting and Hounds of Love. Finally, the book assesses Bushs most intensive cinematic undertaking, her 1993 album The Red Shoes, with its evident homage to the 1948 film of Michael Powell and Emeric Pressburger, and its concurrent visual reworking as Bushs sole film venture, The Line, The Cross & The Curve. Thus, with its deployment across music, video and film, Glynn demonstrates the centrality of Kate Bushs cinephilia to her work.Accessible yet academically rigorous, Kate Bush and the Moving Image is a stand-out study of the iconic singer-songwriters discography and cinematic ventures. It will appeal to both students and scholars of Film, Television, Media, Cultural and Popular Music Studies. Accessible yet academically rigorous, Kate Bush and the Moving Image is a stand-out study of the iconic singer-songwriters discography and cinematic ventures. It will appeal to both students and scholars of Film, Television, Media, Cultural and Popular Music Studies. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781032766867
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Paperback. Etat : New. In this unique study, Stephen Glynn demonstrates that Kate Bush's work, in both sound and vision, has long been influenced and characterised by, and at times aimed at, film and television media.The volume explores in depth Bush's 'music of allusion' and analyses first the significance of film and television references throughout the lyrics and settings of her songs, beginning with her breakthrough hit 'Wuthering Heights'. It also surveys the shaping presence of film and television in the look, narrative and artistry of her music videos, including the examination of celebrated works such as 'Cloudbusting' and 'Hounds of Love'. Finally, the book assesses Bush's most intensive cinematic undertaking, her 1993 album The Red Shoes, with its evident homage to the 1948 film of Michael Powell and Emeric Pressburger, and its concurrent visual reworking as Bush's sole film venture, The Line, The Cross and The Curve. Thus, with its deployment across music, video and film, Glynn demonstrates the centrality of Kate Bush's cinephilia to her work.Accessible yet academically rigorous, Kate Bush and the Moving Image is a stand-out study of the iconic singer-songwriter's discography and cinematic ventures. It will appeal to both students and scholars of Film, Television, Media, Cultural and Popular Music Studies. N° de réf. du vendeur LU-9781032766867
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