Advancing the New Jazz Studies by focusing on questions of intermediality and cultural catalysis, this book demonstrates the role jazz played in the re-making of West German culture in the post-war era.
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Andrew Wright Hurley is a Professor at the University of Technology Sydney and historian who has written widely on jazz in Germany and around the world, on popular music and contemporary German fiction, and on German-Australian colonial entanglements.
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Hardcover. Etat : new. Hardcover. Advancing the New Jazz Studies by focusing on questions of intermediality and cultural catalysis, this book demonstrates the role jazz played in the re-making of West German culture in the post-war era.The shadow of National Socialism, a history of German polarisation by jazz, and the influences of occupation and division, meant that jazz catalysed influential young creative artists. These included writers such as Nobel Laureate Guenter Grass, Young German Cinema filmmakers like Hansjuergen Pohland, and abstract visual artists like KRH Sonderborg. Jazz provided an impulse to take into extra-musical artforms, and an impetus to reflect on what art and culture were. Through considering poetry, the novel, photography, film and television, graphic design and the fine arts, this volume reveals how German creatives were influenced not only by American jazz culture, but also by cultural innovations from elsewhere, and by German traditions they considered less compromised by the Nazi era. The book also explores the limits of this catalysis, examining for example how African-Americans received the German representation of jazz culture.Written in an accessible style, this important contribution to New Jazz Studies and German Studies scholarship will appeal to both graduate and undergraduate students or researchers in the fields of jazz history, twentieth-century musicology, and European or German cultural studies. Advancing the New Jazz Studies by focusing on questions of intermediality and cultural catalysis, this book demonstrates the role jazz played in the re-making of West German culture in the post-war era. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781032840369
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Hardcover. Etat : new. Hardcover. Advancing the New Jazz Studies by focusing on questions of intermediality and cultural catalysis, this book demonstrates the role jazz played in the re-making of West German culture in the post-war era.The shadow of National Socialism, a history of German polarisation by jazz, and the influences of occupation and division, meant that jazz catalysed influential young creative artists. These included writers such as Nobel Laureate Guenter Grass, Young German Cinema filmmakers like Hansjuergen Pohland, and abstract visual artists like KRH Sonderborg. Jazz provided an impulse to take into extra-musical artforms, and an impetus to reflect on what art and culture were. Through considering poetry, the novel, photography, film and television, graphic design and the fine arts, this volume reveals how German creatives were influenced not only by American jazz culture, but also by cultural innovations from elsewhere, and by German traditions they considered less compromised by the Nazi era. The book also explores the limits of this catalysis, examining for example how African-Americans received the German representation of jazz culture.Written in an accessible style, this important contribution to New Jazz Studies and German Studies scholarship will appeal to both graduate and undergraduate students or researchers in the fields of jazz history, twentieth-century musicology, and European or German cultural studies. Advancing the New Jazz Studies by focusing on questions of intermediality and cultural catalysis, this book demonstrates the role jazz played in the re-making of West German culture in the post-war era. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781032840369
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Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Advancing the New Jazz Studies by focusing on questions of intermediality and cultural catalysis, this book demonstrates the role jazz played in the re-making of West German culture in the post-war era.The shadow of National Socialism, a history of German polarisation by jazz, and the influences of occupation and division, meant that jazz catalysed influential young creative artists. These included writers such as Nobel Laureate Günter Grass, Young German Cinema filmmakers like Hansjürgen Pohland, and abstract visual artists like KRH Sonderborg. Jazz provided an impulse to take into extra-musical artforms, and an impetus to reflect on what art and culture were. Through considering poetry, the novel, photography, film and television, graphic design and the fine arts, this volume reveals how German creatives were influenced not only by American jazz culture, but also by cultural innovations from elsewhere, and by German traditions they considered less compromised by the Nazi era. The book also explores the limits of this catalysis, examining for examplehow African-Americans received the German representation of jazz culture.Written in an accessible style, this important contribution to New Jazz Studies and German Studies scholarship will appeal to both graduate and undergraduate students or researchers in the fields of jazz history, twentieth-century musicology, and European or German cultural studies. 238 pp. Englisch. N° de réf. du vendeur 9781032840369
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Andrew Wright Hurley is a Professor at the University of Technology Sydney and historian who has written widely on jazz in Germany and around the world, on popular music and contemporary German fiction, and on German-Australian colonial entangleme. N° de réf. du vendeur 2185459527
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