This book offers an interdisciplinary exploration of pastoral, a genre that has captured the Western imagination for centuries, across literature, art and music.
Combining the practices of literary criticism and creative writing, Decolonising Pastoral develops a new series of tools for the project of the environmental humanities. With an emphasis on subjectivity and experience, essays and fictocriticism are woven with scholarship and stories to create a fresh critical framework. Six chapters focus on laying out a new synthetic methodology, taking readers on a journey across literary genres, forms and modes, to explore nature both as an organic totality that encompasses mind and matter, and as a source of cultural expression and production. Beginning with an introduction to biosemiotics, the text progresses onto the blue humanities, synthetic criticism and metrics for decolonising pastoral, before uniting the threads together. It discusses works from diverse writers such as Thea Astley, Judith Wright, Ted Banfield, Xavier Herbert, Alexis Wright, Sylvia Plath, T.S. Eliot, Seamus Heaney, W.H. Auden, Percy Bysshe Shelley, William Wordsworth, William Blake, John Milton and William Shakespeare.
This ambitious and experimental methodology, developing where creative writing and literary criticism meet, will be an important read for scholars, researchers and students interested in literature, ecology, environmental studies and language.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Thomas Bristow is an Honorary Fellow at the Centre for the History of Emotions, University of Western Australia.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. This book offers an interdisciplinary exploration of pastoral, a genre that has captured the Western imagination for centuries, across literature, art and music. Combining the practices of literary criticism and creative writing, Decolonising Pastoral develops a new series of tools for the project of the environmental humanities. With an emphasis on subjectivity and experience, essays and fictocriticism are woven with scholarship and stories to create a fresh critical framework. Six chapters focus on laying out a new synthetic methodology, taking readers on a journey across literary genres, forms and modes, to explore nature both as an organic totality that encompasses mind and matter, and as a source of cultural expression and production. Beginning with an introduction to biosemiotics, the text progresses onto the blue humanities, synthetic criticism and metrics for decolonising pastoral, before uniting the threads together. It discusses works from diverse writers such as Thea Astley, Judith Wright, Ted Banfield, Xavier Herbert, Alexis Wright, Sylvia Plath, T.S. Eliot, Seamus Heaney, W.H. Auden, Percy Bysshe Shelley, William Wordsworth, William Blake, John Milton and William Shakespeare.This ambitious and experimental methodology, developing where creative writing and literary criticism meet, will be an important read for scholars, researchers and students interested in literature, ecology, environmental studies and language. This book offers an interdisciplinary exploration of pastoral, a genre that has captured the Western imagination for centuries, across literature, art and music. The book will be an important read for scholars, researchers and students interested in literature, ecology, environmental studies and language. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781032841670
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Paperback. Etat : new. Paperback. This book offers an interdisciplinary exploration of pastoral, a genre that has captured the Western imagination for centuries, across literature, art and music. Combining the practices of literary criticism and creative writing, Decolonising Pastoral develops a new series of tools for the project of the environmental humanities. With an emphasis on subjectivity and experience, essays and fictocriticism are woven with scholarship and stories to create a fresh critical framework. Six chapters focus on laying out a new synthetic methodology, taking readers on a journey across literary genres, forms and modes, to explore nature both as an organic totality that encompasses mind and matter, and as a source of cultural expression and production. Beginning with an introduction to biosemiotics, the text progresses onto the blue humanities, synthetic criticism and metrics for decolonising pastoral, before uniting the threads together. It discusses works from diverse writers such as Thea Astley, Judith Wright, Ted Banfield, Xavier Herbert, Alexis Wright, Sylvia Plath, T.S. Eliot, Seamus Heaney, W.H. Auden, Percy Bysshe Shelley, William Wordsworth, William Blake, John Milton and William Shakespeare.This ambitious and experimental methodology, developing where creative writing and literary criticism meet, will be an important read for scholars, researchers and students interested in literature, ecology, environmental studies and language. This book offers an interdisciplinary exploration of pastoral, a genre that has captured the Western imagination for centuries, across literature, art and music. The book will be an important read for scholars, researchers and students interested in literature, ecology, environmental studies and language. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781032841670
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Paperback. Etat : new. Paperback. This book offers an interdisciplinary exploration of pastoral, a genre that has captured the Western imagination for centuries, across literature, art and music. Combining the practices of literary criticism and creative writing, Decolonising Pastoral develops a new series of tools for the project of the environmental humanities. With an emphasis on subjectivity and experience, essays and fictocriticism are woven with scholarship and stories to create a fresh critical framework. Six chapters focus on laying out a new synthetic methodology, taking readers on a journey across literary genres, forms and modes, to explore nature both as an organic totality that encompasses mind and matter, and as a source of cultural expression and production. Beginning with an introduction to biosemiotics, the text progresses onto the blue humanities, synthetic criticism and metrics for decolonising pastoral, before uniting the threads together. It discusses works from diverse writers such as Thea Astley, Judith Wright, Ted Banfield, Xavier Herbert, Alexis Wright, Sylvia Plath, T.S. Eliot, Seamus Heaney, W.H. Auden, Percy Bysshe Shelley, William Wordsworth, William Blake, John Milton and William Shakespeare.This ambitious and experimental methodology, developing where creative writing and literary criticism meet, will be an important read for scholars, researchers and students interested in literature, ecology, environmental studies and language. This book offers an interdisciplinary exploration of pastoral, a genre that has captured the Western imagination for centuries, across literature, art and music. The book will be an important read for scholars, researchers and students interested in literature, ecology, environmental studies and language. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9781032841670
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Etat : New. Thomas Bristow is an Honorary Fellow at the Centre for the History of Emotions, University of Western Australia.This book offers an interdisciplinary exploration of pastoral, a genre that has captured the Western imagination for centuri. N° de réf. du vendeur 3381499775
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