South Asia in Alternative Cinema(s) explores the significance and relevance of parallel, the new wave, the new middle cinema, avant-garde and independent cinemas from and on India, Pakistan, Bhutan, Sri Lanka, Bangladesh and other parts of South Asia. The scholarly and groundbreaking articles interrogate, in a global context, intersecting social, political and cultural issues and offer a rich discourse on the works of eminent filmmakers and their cinematic compositions. The original articles focus on the “New Wave” in Hindi, Kannada, Bengali, Malayalam, Assamese and other regional languages of India, as well as experimental/independent films from and on India, Pakistan, Bhutan, Bangladesh, Sri Lanka and other parts of South Asia, irrespective of the language in which they are made.
The book also offers new insights and a fresh perspective on the contentious intellectual relation between human life and its reflection in cinemas.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Vivek Sachdeva teaches at the University School of Humanities and Social Sciences, Guru Gobind Singh Indraprastha University, New Delhi.
Hariprasad Athanickal teaches in the Department of Film Studies, English and Foreign Languages University (EFLU), Hyderabad.
Chandrakant A. Langare is Associate Professor of English at Shivaji University, Kolhapur, Maharashtra, India.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. South Asia in Alternative Cinema(s) explores the significance and relevance of parallel, the new wave, the new middle cinema, avant-garde and independent cinemas from and on India, Pakistan, Bhutan, Sri Lanka, Bangladesh and other parts of South Asia. The scholarly and groundbreaking articles interrogate, in a global context, intersecting social, political and cultural issues and offer a rich discourse on the works of eminent filmmakers and their cinematic compositions. The original articles focus on the New Wave in Hindi, Kannada, Bengali, Malayalam, Assamese and other regional languages of India, as well as experimental/independent films from and on India, Pakistan, Bhutan, Bangladesh, Sri Lanka and other parts of South Asia, irrespective of the language in which they are made.The book also offers new insights and a fresh perspective on the contentious intellectual relation between human life and its reflection in cinemas. South Asia in Alternative Cinema(s) explores the significance and relevance of parallel, the new wave, the new middle wave, avant-garde, and independent cinemas from and on India, Pakistan, Bhutan, Sri Lanka, Bangladesh and other parts of South Asia. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781032987569
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Paperback. Etat : new. Paperback. South Asia in Alternative Cinema(s) explores the significance and relevance of parallel, the new wave, the new middle cinema, avant-garde and independent cinemas from and on India, Pakistan, Bhutan, Sri Lanka, Bangladesh and other parts of South Asia. The scholarly and groundbreaking articles interrogate, in a global context, intersecting social, political and cultural issues and offer a rich discourse on the works of eminent filmmakers and their cinematic compositions. The original articles focus on the New Wave in Hindi, Kannada, Bengali, Malayalam, Assamese and other regional languages of India, as well as experimental/independent films from and on India, Pakistan, Bhutan, Bangladesh, Sri Lanka and other parts of South Asia, irrespective of the language in which they are made.The book also offers new insights and a fresh perspective on the contentious intellectual relation between human life and its reflection in cinemas. South Asia in Alternative Cinema(s) explores the significance and relevance of parallel, the new wave, the new middle wave, avant-garde, and independent cinemas from and on India, Pakistan, Bhutan, Sri Lanka, Bangladesh and other parts of South Asia. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9781032987569
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Paperback. Etat : new. Paperback. South Asia in Alternative Cinema(s) explores the significance and relevance of parallel, the new wave, the new middle cinema, avant-garde and independent cinemas from and on India, Pakistan, Bhutan, Sri Lanka, Bangladesh and other parts of South Asia. The scholarly and groundbreaking articles interrogate, in a global context, intersecting social, political and cultural issues and offer a rich discourse on the works of eminent filmmakers and their cinematic compositions. The original articles focus on the New Wave in Hindi, Kannada, Bengali, Malayalam, Assamese and other regional languages of India, as well as experimental/independent films from and on India, Pakistan, Bhutan, Bangladesh, Sri Lanka and other parts of South Asia, irrespective of the language in which they are made.The book also offers new insights and a fresh perspective on the contentious intellectual relation between human life and its reflection in cinemas. South Asia in Alternative Cinema(s) explores the significance and relevance of parallel, the new wave, the new middle wave, avant-garde, and independent cinemas from and on India, Pakistan, Bhutan, Sri Lanka, Bangladesh and other parts of South Asia. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781032987569
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Etat : New. Vivek Sachdeva teaches at the University School of Humanities and Social Sciences, Guru Gobind Singh Indraprastha University, New Delhi.Hariprasad Athanickal teaches in the Department of Film Studies, English and . N° de réf. du vendeur 3577136281
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