Materiality and The Afterlife of Artworks: The Rustle of Matter explores, theoretically through a series of case studies, how matter and materials have a role in the afterlife of artworks.
Focusing on modern and contemporary art, this book asks several related questions: How does matter affect the afterlife of works of art and images? How are contemporary artists taking afterlife/materials as part of their practice? And what role does the pair play in transforming centre-periphery relations? Through a range of contributions, this book describes how the History of Art has enlarged its scope through the incidence of both the “iconic turn” and the “material turn,” giving an overview of how the notion of afterlife has been increasingly changing art historical studies, and of how this fact is articulated with the growing attention paid to matter―and, when matter is considered in relation to a technique, to materials. It offers both an account of the state of things in the theoretical/historiographical discussion and a set of case studies ranging from Picasso’s Guernica or Torres García’s murals to the works of Ad Reinhardt or Ana Lupas as well as more recent practices by artists, such as Gala Porras-Kim or Pierre Huyghe.
This book is suitable for students and researchers in History of Art, Visual Studies, Memory Studies, and Philosophy.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Gabriel Cabello is Professor of Art History at the Universidad de Granada, Spain.
Thierry Dufrêne is Professor of Art History at the Université Paris Nanterre, France.
Rocío Robles Tardío is Professor of Art History at the Universidad Complutense de Madrid, Spain.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. Materiality and The Afterlife of Artworks: The Rustle of Matter explores, theoretically through a series of case studies, how matter and materials have a role in the afterlife of artworks.Focusing on modern and contemporary art, this book asks several related questions: How does matter affect the afterlife of works of art and images? How are contemporary artists taking afterlife/materials as part of their practice? And what role does the pair play in transforming centre-periphery relations? Through a range of contributions, this book describes how the History of Art has enlarged its scope through the incidence of both the iconic turn and the material turn, giving an overview of how the notion of afterlife has been increasingly changing art historical studies, and of how this fact is articulated with the growing attention paid to matterand, when matter is considered in relation to a technique, to materials. It offers both an account of the state of things in the theoretical/historiographical discussion and a set of case studies ranging from Picassos Guernica or Torres Garcias murals to the works of Ad Reinhardt or Ana Lupas as well as more recent practices by artists, such as Gala Porras-Kim or Pierre Huyghe.This book is suitable for students and researchers in History of Art, Visual Studies, Memory Studies, and Philosophy. This collection explores, theoretically through a series of case studies, how matter and materials have a role in the afterlife of artworks. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781041026501
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