Articles liés à Translating Silent Cinema
Synopsis
This book examines closely the translation, adaptation and reception of three silent films in English, German, and Yiddish to extend beyond textual translation to social, economic, cultural, and historical contexts. It will be of interest to Translation Studies, Film Studies, German Cinema and Jewish Cinema.
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À propos de l'auteur
Dror Abend-David is Lecturer at the Department of Languages, Literatures, and Cultures at SUNY New Paltz, USA.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Translating Silent Cinema (Hardcover)
Edité par
Taylor & Francis Ltd, London, 2025
ISBN 10 : 1041069022
ISBN 13 : 9781041069027
Neuf
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Hardcover. Etat : new. Hardcover. Translating Silent Cinema examines closely the translation, adaptation, and reception of three silent films in English, German, and Yiddish to argue that the study of film translation should extend beyond textual translation to a wide selection of primary materials and the consideration of social, economic, cultural, and historical contexts.Close readings of Der Kaufmann von Venedig [The Merchant of Venice] (1923), Das alte Gesetz [The Ancient Law] (1923), and Ost und West [East and West] (1923) raise a theoretical question: Can we discuss films in the same way that we discuss theater productions, regarding each individual screening as a performance, and compose a performance history of different films? As no two film screenings are the same, the author highlights the importance of a multidisciplinary approach to translation that combines insights from film studies, translation studies, and cultural and historical contexts. Furthermore, in linguistic comparison and in the study of the reception of the films in each language, this book argues that each film is the subject of very different receptions under very different circumstances. It also analyzes the relevance of films that were made in Austria and in Germany during the 1920s on Jewish themes to a contemporary debate about immigration, racism, and discrimination.This books pioneering analysis of the study of film translation encompasses a wide context of multiplicity of ideologies, economic interests, and historical contexts. It will be of interest for readers in translation studies (particularly in audiovisual translation), film studies, German studies (and German cinema), and Jewish studies (and cinema). This book examines closely the translation, adaptation and reception of three silent films in English, German, and Yiddish to extend beyond textual translation to social, economic, cultural, and historical contexts. It will be of interest to Translation Studies, Film Studies, German Cinema and Jewish Cinema. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781041069027
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Translating Silent Cinema
Edité par
Routledge Sep 2025, 2025
ISBN 10 : 1041069022
ISBN 13 : 9781041069027
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Couverture rigide
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Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Translating Silent Cinemaexamines closely the translation, adaptation, and reception of three silent films in English, German, and Yiddish to argue that the study of film translation should extend beyond textual translation to a wide selection of primary materials and the consideration of social, economic, cultural, and historical contexts.Close readings of Der Kaufmann von Venedig[The Merchant of Venice] (1923), Das alte Gesetz[The Ancient Law] (1923),and Ost und West[East and West] (1923) raise a theoretical question: Can we discuss films in the same way that we discuss theater productions, regarding each individual screening as a performance, and compose a 'performance history' of different films Asno two film screenings are the same, the author highlights the importance of amultidisciplinary approach to translationthat combines insights from film studies, translation studies, and cultural and historical contexts. Furthermore, in linguistic comparison and in the study of the reception of the films in each language, this book argues that each film is the subject of very different receptions under very different circumstances. It also analyzes the relevance of films that were made in Austria and in Germany during the 1920s on Jewish themes to a contemporary debate about immigration, racism, and discrimination.This book's pioneering analysis of the study of film translation encompasses a wide context of multiplicity of ideologies, economic interests, and historical contexts. It will be of interest for readers in translation studies (particularly in audiovisual translation), film studies, German studies (and German cinema), and Jewish studies (and cinema). 314 pp. Englisch. N° de réf. du vendeur 9781041069027
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Translating Silent Cinema (Hardcover)
Edité par
Taylor & Francis Ltd, London, 2025
ISBN 10 : 1041069022
ISBN 13 : 9781041069027
Neuf
Couverture rigide
Vendeur : CitiRetail, Stevenage, Royaume-Uni
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Hardcover. Etat : new. Hardcover. Translating Silent Cinema examines closely the translation, adaptation, and reception of three silent films in English, German, and Yiddish to argue that the study of film translation should extend beyond textual translation to a wide selection of primary materials and the consideration of social, economic, cultural, and historical contexts.Close readings of Der Kaufmann von Venedig [The Merchant of Venice] (1923), Das alte Gesetz [The Ancient Law] (1923), and Ost und West [East and West] (1923) raise a theoretical question: Can we discuss films in the same way that we discuss theater productions, regarding each individual screening as a performance, and compose a performance history of different films? As no two film screenings are the same, the author highlights the importance of a multidisciplinary approach to translation that combines insights from film studies, translation studies, and cultural and historical contexts. Furthermore, in linguistic comparison and in the study of the reception of the films in each language, this book argues that each film is the subject of very different receptions under very different circumstances. It also analyzes the relevance of films that were made in Austria and in Germany during the 1920s on Jewish themes to a contemporary debate about immigration, racism, and discrimination.This books pioneering analysis of the study of film translation encompasses a wide context of multiplicity of ideologies, economic interests, and historical contexts. It will be of interest for readers in translation studies (particularly in audiovisual translation), film studies, German studies (and German cinema), and Jewish studies (and cinema). This book examines closely the translation, adaptation and reception of three silent films in English, German, and Yiddish to extend beyond textual translation to social, economic, cultural, and historical contexts. It will be of interest to Translation Studies, Film Studies, German Cinema and Jewish Cinema. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781041069027
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Translating Silent Cinema : Film History, National Culture, and the Roaring Twenties
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Translating Silent Cinema : Film History, National Culture, and the Roaring Twenties
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ISBN 10 : 1041069022
ISBN 13 : 9781041069027
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Translating Silent Cinema : Film History, National Culture, and the Roaring Twenties
Edité par
Routledge, 2025
ISBN 10 : 1041069022
ISBN 13 : 9781041069027
Ancien ou d'occasion
Couverture rigide
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Buch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Translating Silent Cinemaexamines closely the translation, adaptation, and reception of three silent films in English, German, and Yiddish to argue that the study of film translation should extend beyond textual translation to a wide selection of primary materials and the consideration of social, economic, cultural, and historical contexts.Close readings of Der Kaufmann von Venedig[The Merchant of Venice] (1923), Das alte Gesetz[The Ancient Law] (1923),and Ost und West[East and West] (1923) raise a theoretical question: Can we discuss films in the same way that we discuss theater productions, regarding each individual screening as a performance, and compose a 'performance history' of different films Asno two film screenings are the same, the author highlights the importance of amultidisciplinary approach to translationthat combines insights from film studies, translation studies, and cultural and historical contexts. Furthermore, in linguistic comparison and in the study of the reception of the films in each language, this book argues that each film is the subject of very different receptions under very different circumstances. It also analyzes the relevance of films that were made in Austria and in Germany during the 1920s on Jewish themes to a contemporary debate about immigration, racism, and discrimination.This book's pioneering analysis of the study of film translation encompasses a wide context of multiplicity of ideologies, economic interests, and historical contexts. It will be of interest for readers in translation studies (particularly in audiovisual translation), film studies, German studies (and German cinema), and Jewish studies (and cinema). N° de réf. du vendeur 9781041069027
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Translating Silent Cinema: Film History, National Culture, and The Roaring Twenties (Routledge Advances in Film Studies)
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