Streaming Europe explores how global streaming services like Netflix, Disney+, and Amazon Prime Video have reshaped the audiovisual landscape across Europe.
Since Netflix’s arrival in 2012, the European media environment has undergone a rapid transformation, affecting every level of the industry―from production and distribution to policy and audience engagement. This book offers the first comprehensive, empirical, and comparative examination of these changes across different European markets. Written by a team of leading media scholars, it balances accessible analysis with evidence-based insights to examine how streamers have altered production practices and business models, shifted established power dynamics, and challenged long-standing broadcasting legacies. The book examines global streamers’ market-entry strategies, the use of diversity and inclusion as competitive positioning, and the tensions between producers over rights retention and local authenticity. It analyses how public and commercial broadcasters across large and small European markets have both emulated Netflix and sought to differentiate themselves from US streamers, and how governments have responded with a patchwork of policy tools such as prominence regulation, quotas, and investment obligations, raising questions about their long-term effectiveness. Finally, it explores how different genres―including teen drama, documentary, European film, scripted television, and web series―both shape and are shaped by global streamers’ evolving strategies.
With its strong foundation in research and pan-European scope, Streaming Europe goes beyond single-country perspectives to present a timely and nuanced understanding of how the streaming revolution is shaping Europe’s cultural industries. It will be highly relevant to researchers in the field of media industries, media economics, audiovisual industries and media policy.
The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Tim Raats is an Associate Professor at the Vrije Universiteit Brussel (VUB), Belgium. He is head of the Media Economics and Policy unit at imec-SMIT-VUB (Studies on Media, Innovation and Technology) and specialises in policy and market research, with a particular focus on financing and production in small audiovisual markets, and management and policy challenges for public service media.
Catalina Iordache is a Senior Researcher and Guest Professor at imec-SMIT, Vrije Universiteit Brussel (VUB), Belgium. Her research focuses on media industries studies, public service media, and European audiovisual policy. She holds a PhD from the VUB (2022) and bridges scholarly research with project management (in 2026, the MSCA RePIM Doctoral Network) and (post) graduate teaching.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. Streaming Europe explores how global streaming services like Netflix, Disney+, and Amazon Prime Video have reshaped the audiovisual landscape across Europe.Since Netflixs arrival in 2012, the European media environment has undergone a rapid transformation, affecting every level of the industryfrom production and distribution to policy and audience engagement. This book offers the first comprehensive, empirical, and comparative examination of these changes across different European markets. Written by a team of leading media scholars, it balances accessible analysis with evidence-based insights to examine how streamers have altered production practices and business models, shifted established power dynamics, and challenged long-standing broadcasting legacies. The book examines global streamers market-entry strategies, the use of diversity and inclusion as competitive positioning, and the tensions between producers over rights retention and local authenticity. It analyses how public and commercial broadcasters across large and small European markets have both emulated Netflix and sought to differentiate themselves from US streamers, and how governments have responded with a patchwork of policy tools such as prominence regulation, quotas, and investment obligations, raising questions about their long-term effectiveness. Finally, it explores how different genresincluding teen drama, documentary, European film, scripted television, and web seriesboth shape and are shaped by global streamers evolving strategies.With its strong foundation in research and pan-European scope, Streaming Europe goes beyond single-country perspectives to present a timely and nuanced understanding of how the streaming revolution is shaping Europes cultural industries. It will be highly relevant to researchers in the field of media industries, media economics, audiovisual industries and media policy.The Open Access version of this book, available at , has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license. This book explores how global streaming services like Netflix, Disney+, and Amazon Prime Video have reshaped the audiovisual landscape across Europe. It will be highly relevant to researchers in the field of Media industries, media economics, audiovisual industries, and media policy. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781041139096
Quantité disponible : 1 disponible(s)
Vendeur : CitiRetail, Stevenage, Royaume-Uni
Hardcover. Etat : new. Hardcover. Streaming Europe explores how global streaming services like Netflix, Disney+, and Amazon Prime Video have reshaped the audiovisual landscape across Europe.Since Netflixs arrival in 2012, the European media environment has undergone a rapid transformation, affecting every level of the industryfrom production and distribution to policy and audience engagement. This book offers the first comprehensive, empirical, and comparative examination of these changes across different European markets. Written by a team of leading media scholars, it balances accessible analysis with evidence-based insights to examine how streamers have altered production practices and business models, shifted established power dynamics, and challenged long-standing broadcasting legacies. The book examines global streamers market-entry strategies, the use of diversity and inclusion as competitive positioning, and the tensions between producers over rights retention and local authenticity. It analyses how public and commercial broadcasters across large and small European markets have both emulated Netflix and sought to differentiate themselves from US streamers, and how governments have responded with a patchwork of policy tools such as prominence regulation, quotas, and investment obligations, raising questions about their long-term effectiveness. Finally, it explores how different genresincluding teen drama, documentary, European film, scripted television, and web seriesboth shape and are shaped by global streamers evolving strategies.With its strong foundation in research and pan-European scope, Streaming Europe goes beyond single-country perspectives to present a timely and nuanced understanding of how the streaming revolution is shaping Europes cultural industries. It will be highly relevant to researchers in the field of media industries, media economics, audiovisual industries and media policy.The Open Access version of this book, available at , has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license. This book explores how global streaming services like Netflix, Disney+, and Amazon Prime Video have reshaped the audiovisual landscape across Europe. It will be highly relevant to researchers in the field of Media industries, media economics, audiovisual industries, and media policy. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781041139096
Quantité disponible : 1 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 52120905
Quantité disponible : 10 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 52120905-n
Quantité disponible : 10 disponible(s)
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 52120905
Quantité disponible : 10 disponible(s)
Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. N° de réf. du vendeur 408860116
Quantité disponible : 3 disponible(s)
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : New. N° de réf. du vendeur 52120905-n
Quantité disponible : 10 disponible(s)
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. 2026. 1st Edition. hardcover. . . . . . N° de réf. du vendeur V9781041139096
Quantité disponible : Plus de 20 disponibles
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur L2-9781041139096
Quantité disponible : Plus de 20 disponibles
Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur L2-9781041139096
Quantité disponible : Plus de 20 disponibles