Comics and serial print have a long, closely intertwined history, with the earliest comics proliferating in newspapers before gradually migrating to children’s magazines. In positioning itself between the booming research on comics and periodicals and comics and children’s culture, this book offers a transnational perspective on the diverse connections between the ninth art and magazines.
Beginning with the heyday of children’s periodicals and their incorporation of comics since the late nineteenth century in the UK, the book ends with a survey of paratextual reader engagement in Topolino issues until the 2010s. Its eight chapters showcase different possibilities for analysing vast, serial corpora, ranging from thematic and formal approaches to more distant readings mapping evolutions across magazine issues. It covers the impact of American comics on the Corriere dei Piccoli magazines from the 1920s and 1930s, forms of editorial communication in French and Belgian magazines from the 1930s and 1940s, the interplay of artistic pursuit, commercial needs, and national identity in the American Camera Comics from the mid-1940s, the comics scare in Italy read through the Italian Western comic Pecos Bill, the changing editorial policies of French magazine Lisette, and the construction of post-war national identity in Greek comics.
This book will be of great interest to comic and children’s literature enthusiasts along with researchers of comic studies, cultural studies, literature and art. The chapters in this book were originally published as a special issue in the Journal of Graphic Novels and Comics.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Maaheen Ahmed is an associate professor of comparative literature at Ghent University specializing in comics, periodicals, and children’s culture.
Giorgio Busi Rizzi is FWO senior postdoctoral fellow and adjunct professor at Ghent University, teaching the comics and graphic novels course. His current project investigates authorship in post-digital comics; his previous research analyzed nostalgic aesthetics and practices in comics, and experimental digital comics.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. Comics and serial print have a long, closely intertwined history, with the earliest comics proliferating in newspapers before gradually migrating to childrens magazines. In positioning itself between the booming research on comics and periodicals and comics and childrens culture, this book offers a transnational perspective on the diverse connections between the ninth art and magazines.Beginning with the heyday of childrens periodicals and their incorporation of comics since the late nineteenth century in the UK, the book ends with a survey of paratextual reader engagement in Topolino issues until the 2010s. Its eight chapters showcase different possibilities for analysing vast, serial corpora, ranging from thematic and formal approaches to more distant readings mapping evolutions across magazine issues. It covers the impact of American comics on the Corriere dei Piccoli magazines from the 1920s and 1930s, forms of editorial communication in French and Belgian magazines from the 1930s and 1940s, the interplay of artistic pursuit, commercial needs, and national identity in the American Camera Comics from the mid-1940s, the comics scare in Italy read through the Italian Western comic Pecos Bill, the changing editorial policies of French magazine Lisette, and the construction of post-war national identity in Greek comics.This book will be of great interest to comic and childrens literature enthusiasts along with researchers of comic studies, cultural studies, literature and art. The chapters in this book were originally published as a special issue in the Journal of Graphic Novels and Comics. In positioning itself between the booming research on comics and periodicals and comics and childrens culture, this book offers a transnational perspective on the diverse connections between the ninth art and magazines. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781041245407
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Hardcover. Etat : new. Hardcover. Comics and serial print have a long, closely intertwined history, with the earliest comics proliferating in newspapers before gradually migrating to childrens magazines. In positioning itself between the booming research on comics and periodicals and comics and childrens culture, this book offers a transnational perspective on the diverse connections between the ninth art and magazines.Beginning with the heyday of childrens periodicals and their incorporation of comics since the late nineteenth century in the UK, the book ends with a survey of paratextual reader engagement in Topolino issues until the 2010s. Its eight chapters showcase different possibilities for analysing vast, serial corpora, ranging from thematic and formal approaches to more distant readings mapping evolutions across magazine issues. It covers the impact of American comics on the Corriere dei Piccoli magazines from the 1920s and 1930s, forms of editorial communication in French and Belgian magazines from the 1930s and 1940s, the interplay of artistic pursuit, commercial needs, and national identity in the American Camera Comics from the mid-1940s, the comics scare in Italy read through the Italian Western comic Pecos Bill, the changing editorial policies of French magazine Lisette, and the construction of post-war national identity in Greek comics.This book will be of great interest to comic and childrens literature enthusiasts along with researchers of comic studies, cultural studies, literature and art. The chapters in this book were originally published as a special issue in the Journal of Graphic Novels and Comics. In positioning itself between the booming research on comics and periodicals and comics and childrens culture, this book offers a transnational perspective on the diverse connections between the ninth art and magazines. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781041245407
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