Changing Woman, Changing Man: A High Desert Myth.
A prose-poem by Kristin Berger, with 11 linocut prints by Diane Sandall
This poem moves to the rhythms of the High Desert - its fragile days and its unbroken centuries. Through this landscape, Berger follows Changing Man and Changing Woman, the tangled cords of our human nature. In alternating sections with brilliantly contrasting voices, Man and Woman reveal memories, fears, and the deeper connections lying beneath the surface of their contradictions. Read Changing Woman & Changing Man. It will leave you changed."
- Pepper Trail, author of Flight Time and Cascade-Siskiyou: Poems
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Kristin Berger is the author of four poetry collections, Changing Woman, Changing Man: A High Desert Myth (Nightjar Press, 2022). Refugia (Persian Pony Press, 2019), Echolocation (Cirque Press, 2018), How Light Reaches Us (Aldrich Press, 2016), For the Willing (Finishing Line Press, 2008), and Earthwork, forthcoming from The Poetry Box in August, 2022. A former member of the editorial collective, VoiceCatcher, and the former co-host of The Lents Farmers Market Poetry Series, Kristin continues to be inspired by writing of resistance, resiliency and beauty through The Lents Poetry Project on Instagram.Recipient of residencies from Playa and OSU's Spring Creek Project, Kristin's work is influenced by Oregon's High Desert, Cascades, Coastal Range and all the Pacific Northwest's wild and interconnected landscapes. Kristin works as the Program Director and Administrator of Green Lents, a climate justice nonprofit in Lents, Portland, where she has lived for 24 years with her family. Find more of her work at kristinbergerpoet.com
Raised in New England, Diane Sandall heeded the siren song of the Northwest, making her way out to Oregon. After a time, she looked to her heritage, and a six-month stay in Sweden began a compelling relationship with her second home, infusing her work with the wind and the savor of that beautiful land. Sense of place anchors her art; the rain and the cool colors of the Pacific Northwest and the depth of history and myth in Scandinavia feed the storyteller in her. While she has practiced many tactile arts-knitting, carving, ceramics, blacksmithing among them-she returns to drawing as a way to connect people and the natural world to timeless narratives.
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