Raphael Lyne addresses a crucial Shakespearean question: why do characters in the grip of emotional crises deliver such extraordinarily beautiful and ambitious speeches? How do they manage to be so inventive when they are perplexed? Their dense, complex, articulate speeches at intensely dramatic moments are often seen as psychological - they uncover and investigate inwardness, character and motivation - and as rhetorical - they involve heightened language, deploying recognisable techniques. Focusing on A Midsummer Night's Dream, Othello, Cymbeline and the Sonnets, Lyne explores both the psychological and rhetorical elements of Shakespeare's language. In the light of cognitive linguistics and cognitive literary theory he shows how Renaissance rhetoric could be considered a kind of cognitive science, an attempt to map out the patterns of thinking. His study reveals how Shakespeare's metaphors and similes work to think, interpret and resolve, and how their struggle to do so results in extraordinary poetry.
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Raphael Lyne is a Senior Lecturer at the University of Cambridge and a Fellow of Murray Edwards College. He is the author of Ovid's Changing Worlds: English Metamorphoses, 1567–1632 (2001) and Shakespeare's Late Work (2007), as well as the editor (with Subha Mukherji) of Early Modern Tragicomedy (2007).
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Etat : New. Lyne addresses a crucial Shakespearean question: why do characters in the grip of emotional crises deliver such extraordinarily beautiful speeches? Num Pages: 276 pages. BIC Classification: 2AB; DSBD; DSG. Category: (P) Professional & Vocational. Dimension: 234 x 158 x 19. Weight in Grams: 580. . 2011. hardcover. . . . . N° de réf. du vendeur V9781107007475
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Hardcover. Etat : new. Hardcover. Raphael Lyne addresses a crucial Shakespearean question: why do characters in the grip of emotional crises deliver such extraordinarily beautiful and ambitious speeches? How do they manage to be so inventive when they are perplexed? Their dense, complex, articulate speeches at intensely dramatic moments are often seen as psychological - they uncover and investigate inwardness, character and motivation - and as rhetorical - they involve heightened language, deploying recognisable techniques. Focusing on A Midsummer Night's Dream, Othello, Cymbeline and the Sonnets, Lyne explores both the psychological and rhetorical elements of Shakespeare's language. In the light of cognitive linguistics and cognitive literary theory he shows how Renaissance rhetoric could be considered a kind of cognitive science, an attempt to map out the patterns of thinking. His study reveals how Shakespeare's metaphors and similes work to think, interpret and resolve, and how their struggle to do so results in extraordinary poetry. Shakespeare's language can be analysed with technical vocabulary, but it can also seem spontaneous, strange and perplexing. This book provides readers with new ways of approaching Shakespeare's language, in particular the richly metaphorical speeches that occur at intensely dramatic moments in works including A Midsummer Night's Dream, Othello and Cymbeline. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781107007475
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Etat : New. Lyne addresses a crucial Shakespearean question: why do characters in the grip of emotional crises deliver such extraordinarily beautiful speeches? Num Pages: 276 pages. BIC Classification: 2AB; DSBD; DSG. Category: (P) Professional & Vocational. Dimension: 234 x 158 x 19. Weight in Grams: 580. . 2011. hardcover. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9781107007475
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Gebunden. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Inhaltsverzeichnis1. Introduction: pity, like a naked new-born babe 2. Metaphor, synecdoche and cognition 3. The drift towards cognition in rhetorical manuals 4. A Midsummer Night s Dream 5. Cymbeline 6. Othello 7. The Sonnets C. N° de réf. du vendeur 900074579
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