Jochen Eisentraut's book provides a range of perspectives on why, and how, we engage with music.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Jochen Eisentraut is a lecturer at Bangor University's School of Music. As an accomplished composer and performer, he has written music for television and theatre as well as for his own projects. With an interdisciplinary, multicultural and multi-genre approach, he has lectured on a wide range of topics in music, ideas and culture. Jochen is originally from Germany and has carried out fieldwork in Brazil and Wales, playing concerts in Mexico City and Paris, and run workshops on some of the UK's most deprived estates. His publications include Sound and Music in Film and the Visual Media: An Overview (co-editor and contributor, 2009) and articles for the British Journal of Ethnomusicology.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Academybookshop, Long Island City, NY, Etats-Unis
Hardcover. Etat : Fair. Clean condition, with a LARGE DENT on the cover, clean pages *** hard bound, Cambridge University Press. N° de réf. du vendeur B-CA16-10085
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Vendeur : SN Books Ltd, Thetford, Royaume-Uni
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Vendeur : Austin Sherlaw-Johnson, Secondhand Music, Oxford, Royaume-Uni
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Previous owner's inscription to front pastedown. Else near mint. N° de réf. du vendeur 019815
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Vendeur : Hard To Find Editions, Bristol, AVON, Royaume-Uni
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. This book has been read, but is in a clean and very good condition. All pages are intact with no highlighting or writing contained within. The spine remains undamaged with tight binding. Fast dispatch within and from the UK. 100% money back guarantee. N° de réf. du vendeur ABE-1690111217292
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Etat : New. N° de réf. du vendeur 16222152-n
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Hardcover. Etat : new. Hardcover. Questions of musical accessibility are relevant to most musical contexts but what does this term mean, how do we make contact with music and how do we decide what music to listen to? In The Accessibility of Music Jochen Eisentraut argues that musical judgements are often based upon implicit attitudes to accessibility, which need to be identified and exposed. Surveying a range of disciplines, including sociology, psychology, aesthetics and cultural theory, Eisentraut investigates how and why music becomes accessible and the impact of accessibility on musical and social hierarchies. The book is structured around three major case studies: punk vs progressive rock, Vaughan Williams and his ideas on art and folk music, and Brazilian samba, both in situ and in a global context. These are used to reveal aspects of musical accessibility at work and serve as a springboard for discussions that challenge accepted ideas of musical value and meaning. Questions of musical accessibility are relevant to most musical contexts, affecting identity, preference, participation and social hierarchies. Jochen Eisentraut's book discusses how people decide what to listen to in a world where so much music is available. It will be of interest to music academics, composers and music industry professionals. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781107024830
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Etat : New. N° de réf. du vendeur I-9781107024830
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 16222152
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 1st edition. 270 pages. 9.69x1.02x7.17 inches. In Stock. This item is printed on demand. N° de réf. du vendeur __1107024838
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Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : New. N° de réf. du vendeur 16222152-n
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