Synopsis
In his detailed study of Euripides' play, Helen, C. W. Marshall expands our understanding of Athenian tragedy and Classical performance.
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À propos de l?auteur
C. W. Marshall is Professor of Greek at the University of British Columbia in Vancouver, Canada. He is the author of The Stagecraft and Performance of Roman Comedy (2006) and has co-edited several volumes: No Laughing Matter (2012) and Classics and Comics (2011) with George Kovacs and The Wire: Urban Decay and American Television (2009) and Cylons in America (2008) with Tiffany Potter. His many articles and chapters on ancient theatre consider the practical constraints of ancient staging techniques, the nature of masks, and how an ancient audience interprets a play in performance. This work is informed by his practical experience as a director of ancient and modern plays.
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The Structure and Performance of Euripides' Helen
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Cambridge University Press, 2014
ISBN 10 : 1107073758
ISBN 13 : 9781107073753
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Hardcover. Etat : new. Hardcover. Using Euripides' play Helen as the main point of reference, C. W. Marshall's detailed study expands our understanding of Athenian tragedy and provides new interpretations of how Euripides created meaning in performance. Marshall focuses on dramatic structure to show how assumptions held by the ancient audience shaped meaning in Helen and to demonstrate how Euripides' play draws extensively on the satyr play Proteus, which was part of Aeschylus' Oresteia. Structure is presented not as a theoretical abstraction, but as a crucial component of the experience of performance, working with music, the chorus and the other plays in the tetralogy. Euripides' Andromeda in particular is shown to have resonances with Helen not previously described. Arguing that the role of the director is key, Marshall shows that the choices that a director can make about role doubling, gestures, blocking, humour, and masks play a crucial part in forming the meaning of Helen. Using Euripides' play Helen as the main point of reference, C. W. Marshall expands our understanding of Athenian tragedy and Classical performance. The book focuses on structure to reveal how directorial decisions and the assumptions held by the ancient audience shape meaning in performance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781107073753
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ISBN 13 : 9781107073753
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ISBN 13 : 9781107073753
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Hardcover. Etat : new. Hardcover. Using Euripides' play Helen as the main point of reference, C. W. Marshall's detailed study expands our understanding of Athenian tragedy and provides new interpretations of how Euripides created meaning in performance. Marshall focuses on dramatic structure to show how assumptions held by the ancient audience shaped meaning in Helen and to demonstrate how Euripides' play draws extensively on the satyr play Proteus, which was part of Aeschylus' Oresteia. Structure is presented not as a theoretical abstraction, but as a crucial component of the experience of performance, working with music, the chorus and the other plays in the tetralogy. Euripides' Andromeda in particular is shown to have resonances with Helen not previously described. Arguing that the role of the director is key, Marshall shows that the choices that a director can make about role doubling, gestures, blocking, humour, and masks play a crucial part in forming the meaning of Helen. Using Euripides' play Helen as the main point of reference, C. W. Marshall expands our understanding of Athenian tragedy and Classical performance. The book focuses on structure to reveal how directorial decisions and the assumptions held by the ancient audience shape meaning in performance. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781107073753
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The Structure and Performance of Euripides' Helen (Hardcover)
Edité par
Cambridge University Press, Cambridge, 2014
ISBN 10 : 1107073758
ISBN 13 : 9781107073753
Neuf
Couverture rigide
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Hardcover. Etat : new. Hardcover. Using Euripides' play Helen as the main point of reference, C. W. Marshall's detailed study expands our understanding of Athenian tragedy and provides new interpretations of how Euripides created meaning in performance. Marshall focuses on dramatic structure to show how assumptions held by the ancient audience shaped meaning in Helen and to demonstrate how Euripides' play draws extensively on the satyr play Proteus, which was part of Aeschylus' Oresteia. Structure is presented not as a theoretical abstraction, but as a crucial component of the experience of performance, working with music, the chorus and the other plays in the tetralogy. Euripides' Andromeda in particular is shown to have resonances with Helen not previously described. Arguing that the role of the director is key, Marshall shows that the choices that a director can make about role doubling, gestures, blocking, humour, and masks play a crucial part in forming the meaning of Helen. Using Euripides' play Helen as the main point of reference, C. W. Marshall expands our understanding of Athenian tragedy and Classical performance. The book focuses on structure to reveal how directorial decisions and the assumptions held by the ancient audience shape meaning in performance. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9781107073753
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