In 1428, a devastating fire destroyed a schoolhouse in the northern Italian city of Forlì, leaving only a woodcut of the Madonna and Child that had been tacked to the classroom wall. The people of Forlì carried that print - now known as the Madonna of the Fire - into their cathedral, where two centuries later a new chapel was built to enshrine it. In this book, Lisa Pon considers a cascade of moments in the Madonna of the Fire's cultural biography: when ink was impressed onto paper at a now-unknown date; when that sheet was recognized by Forlì's people as miraculous; when it was enshrined in various tabernacles and chapels in the cathedral; when it or one of its copies was - and still is - carried in procession. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of making, remaking, and renewal.
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Lisa Pon is an associate professor in the Department of Art History at Southern Methodist University's Meadows School of the Arts, where she teaches the history of early modern European art, architecture, and visual culture. She has received research grants or fellowships from the American Council of Learned Societies, the Folger Shakespeare Library, the Gladys Krieble Delmas Foundation, the American Philosophical Society, the Center for the Advanced Study in the Visual Arts, the Getty Research Institute, and the Warburg Institute. She has published numerous articles in international academic journals and is author of Raphael, Dürer, and Marcantonio Raimondi (2004) and coeditor of The Books of Venice/Il Libro Veneziano (2008, with Craig Kallendorf).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. In 1428, a devastating fire destroyed a schoolhouse in the northern Italian city of Forli, leaving only a woodcut of the Madonna and Child that had been tacked to the classroom wall. The people of Forli carried that print - now known as the Madonna of the Fire - into their cathedral, where two centuries later a new chapel was built to enshrine it. In this book, Lisa Pon considers a cascade of moments in the Madonna of the Fire's cultural biography: when ink was impressed onto paper at a now-unknown date; when that sheet was recognized by Forli's people as miraculous; when it was enshrined in various tabernacles and chapels in the cathedral; when it or one of its copies was - and still is - carried in procession. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of making, remaking, and renewal. In this book, Lisa Pon considers a cascade of moments in the cultural biography of the town of Forli's miraculous woodcut, the Madonna of the Fire. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of making, remaking, and renewal. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781107098510
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. In this book, Lisa Pon considers a cascade of moments in the cultural biography of the town of Forli s miraculous woodcut, the Madonna of the Fire. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of makin. N° de réf. du vendeur 31402468
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Buch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - In 1428, a devastating fire destroyed a schoolhouse in the northern Italian city of Forlì, leaving only a woodcut of the Madonna and Child that had been tacked to the classroom wall. The people of Forlì carried that print - now known as the Madonna of the Fire - into their cathedral, where two centuries later a new chapel was built to enshrine it. In this book, Lisa Pon considers a cascade of moments in the Madonna of the Fire's cultural biography: when ink was impressed onto paper at a now-unknown date; when that sheet was recognized by Forlì's people as miraculous; when it was enshrined in various tabernacles and chapels in the cathedral; when it or one of its copies was - and still is - carried in procession. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of making, remaking, and renewal. N° de réf. du vendeur 9781107098510
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