This book demonstrates the pervading influence of visual art in the composition, production and reception of Renaissance English drama.
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John H. Astington is Professor Emeritus at the University of Toronto. His many publications centre on the theatre of the Renaissance and its cultural contexts, and his books include English Court Theatre 1558–1642 (Cambridge, 1999) and Actors and Acting in Shakespeare's Time (Cambridge, 2010).
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Vendeur : AwesomeBooks, Wallingford, Royaume-Uni
hardcover. Etat : Very Good. Stage and Picture in the English Renaissance: The Mirror up to Nature This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. . N° de réf. du vendeur 7719-9781107121430
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. This book presents a new approach to the relationship between traditional pictorial arts and the theatre in Renaissance England. Demonstrating the range of visual culture in evidence from the mid-sixteenth to mid-seventeenth century, from the grandeur of court murals to the cheap amusement of woodcut prints, John H. Astington shows how English drama drew heavily on this imagery to stimulate the imagination of the audience. He analyses the intersection of the theatrical and the visual through such topics as Shakespeare's Roman plays and the contemporary interest in Roman architecture and sculpture; the central myth of Troy and its widely recognised iconography; scriptural drama and biblical illustration; and the emblem of the theatre itself. The book demonstrates how the art that surrounded Shakespeare and his contemporaries had a profound influence on the ways in which theatre was produced and received. This book presents a new approach to the relationship between traditional pictorial arts and the theatre in Renaissance England. Demonstrating the vast range of visual culture in evidence in the period, John H. Astington shows its pervading influence in the composition, production and reception of Renaissance English drama. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781107121430
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