Examines Dante's reception in the culture and criticism of Renaissance Italy, with a particular focus on Florence and Venice.
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Simon Gilson is Agnelli-Serena Professor of Italian at the University of Oxford and Fellow of Magdalen College. He has published extensively on Dante, Dante's reception, and the literary and philosophical culture of the Italian Renaissance. He is the author of Dante and Renaissance Florence (Cambridge, 2005) and has edited numerous volumes on science and literature, heresy and mysticism, and vernacular Aristotelianism.
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Vendeur : Prior Books Ltd, Cheltenham, Royaume-Uni
Hardcover. Etat : Like New. First Edition. A firm and square hardback with sharp corners and strong joints, just showing a few very minor cosmetic rubs. Hence a non-text page has a small 'damaged' stamp. Despite such this book is actually in nearly new condition and appears unread. Thus the contents are crisp, fresh and tight; no pen-marks. Now offered for sale at a very sensible price. N° de réf. du vendeur 211666
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Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. Simon Gilson's new volume provides the first in-depth account of the critical and editorial reception in Renaissance Italy, particularly Florence, Venice and Padua, of the work of Dante Alighieri (12651321). Gilson investigates a range of textual frameworks and related contexts that influenced the way in which Dante's work was produced and circulated, from editing and translation to commentaries, criticism and public lectures. In so doing he modifies the received notion that Dante and his work were eclipsed during the Renaissance. Central themes of investigation include the contestation of Dante's authority as a 'classic' writer and the various forms of attack and defence employed by his detractors and partisans. The book pays close attention not only to the Divine Comedy but also to the Convivio and other of Dante's writings, and explores the ways in which the reception of these works was affected by contemporary developments in philology, literary theory, philosophy, theology, science and printing. The first comprehensive account of the critical and editorial reception in Renaissance Italy of the work of Dante Alighieri (12651321), investigating a range of responses to his work. The book covers significant topics including arguments surrounding Dante's authority as a 'classic' poet, and contemporary developments in philology, theology, science and printing. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781107196551
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Vendeur : California Books, Miami, FL, Etats-Unis
Etat : New. N° de réf. du vendeur I-9781107196551
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 400 pages. 9.25x6.25x1.00 inches. In Stock. This item is printed on demand. N° de réf. du vendeur __1107196558
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Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
Hardback. Etat : New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days. N° de réf. du vendeur C9781107196551
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Vendeur : CitiRetail, Stevenage, Royaume-Uni
Hardcover. Etat : new. Hardcover. Simon Gilson's new volume provides the first in-depth account of the critical and editorial reception in Renaissance Italy, particularly Florence, Venice and Padua, of the work of Dante Alighieri (12651321). Gilson investigates a range of textual frameworks and related contexts that influenced the way in which Dante's work was produced and circulated, from editing and translation to commentaries, criticism and public lectures. In so doing he modifies the received notion that Dante and his work were eclipsed during the Renaissance. Central themes of investigation include the contestation of Dante's authority as a 'classic' writer and the various forms of attack and defence employed by his detractors and partisans. The book pays close attention not only to the Divine Comedy but also to the Convivio and other of Dante's writings, and explores the ways in which the reception of these works was affected by contemporary developments in philology, literary theory, philosophy, theology, science and printing. The first comprehensive account of the critical and editorial reception in Renaissance Italy of the work of Dante Alighieri (12651321), investigating a range of responses to his work. The book covers significant topics including arguments surrounding Dante's authority as a 'classic' poet, and contemporary developments in philology, theology, science and printing. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781107196551
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Vendeur : Mispah books, Redhill, SURRE, Royaume-Uni
Hardcover. Etat : New. New. book. N° de réf. du vendeur ERICA79711071965586
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Vendeur : moluna, Greven, Allemagne
Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The first comprehensive account of the critical and editorial reception in Renaissance Italy of the work of Dante Alighieri (1265-1321), investigating a range of responses to his work. The book covers significant topics including arguments surrounding Dante. N° de réf. du vendeur 447217151
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Vendeur : Books Puddle, New York, NY, Etats-Unis
Etat : New. N° de réf. du vendeur 26378939676
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