Traditional approaches have reduced Caesar's Bellum Civile to a tool for teaching Latin or to one-dimensional propaganda, thereby underestimating its artistic properties and ideological complexity. Reading strategies typical of scholarship on Latin poetry, like intertextuality, narratology, semantic, rhetorical and structural analysis, cast a new light on the Bellum Civile: Ciceronian language advances Caesar's claim to represent Rome; technical vocabulary reinforces the ethical division between 'us' and the 'barbarian' enemy; switches of focalization guide our perception of the narrative; invective and characterization exclude the Pompeians from the Roman community, according to the mechanisms of rhetoric; and the very structure of the work promotes Caesar's cause. As a piece of literature interacting with its cultural and socio-political world, the Bellum Civile participates in Caesar's multimedia campaign of self-fashioning. A comprehensive approach, such as has been productively applied to Augustus' program, locates the Bellum Civile at the interplay between literature, images and politics.
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Luca Grillo is Assistant Professor of Classics at Amherst College, Massachusetts and has written on subjects as diverse as Vergil's women; narratology in Caesar; Augustine and the destruction of the temple of Caelestis in Carthage; and Nobilior's temple of Hercules Musarum. Current and future projects include a monograph on Fortuna and a commentary on Cicero's De Provinciis Consularibus.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Cambridge University Press, Cambridge, 2015. 1st paperback ed. 221p. Paperback. 'As Grillo states in his introduction, 'two artificial divisions (.) have hindered the understanding of the Bellum Civile (.) one division separated Caesar the writer from the orator, intellectual, politician and general, and the other separated the work?s style and content' (p.10). The Art of Caesar?s 'Bellum Civile' - a pallid if accurate title - seeks to reconnect the severed parts, working to situate Caesar in the intellectual stew of his times. Along the way, Grillo uses a variety of approaches including, among others, a careful analysis of word choice and meaning, narrative structure, prose rhythm, and focalization to reveal how Caesar persuades. 'The Bellum Civile' is a special work in which 'the cooperation between the narrator and the general creates multiple possibilities for magnifying the authority of the former and the mastery of the latter' (p.9). The rhetorical methods by which Caesar achieves this, however, have only recently drawn greater scrutiny as the implications of the highly self-aware, literary history-writing practiced by the Romans has become a lively topic of study. (.) Caesar was recognized in the ancient world for both his personal and literary style. The style of a work of scholarship is seldom praised (and perhaps seldom deserves to be), but this book is a pleasure to read. The touch is light, the glosses on concepts concise and clear, and there are brief references to other sources that call Caesar?s various claims into question or confirm them. These external touchstones keep in mind the sometimes contentious problem of what really happened. By keeping in focus both the techniques of representation and what is at stake in them, the author shows the substance behind the rhetoric and demonstrates why historiography matters.' (AISLAINN MELCHIOR in Bryn Mawr Classical Review 2013.01.30). N° de réf. du vendeur 43069
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Etat : New. Comprehensive exploration of the artistic properties and intellectual complexity of Caesar's Bellum Civile, showing the interaction of literature and politics. Num Pages: 234 pages, 1 table. BIC Classification: 1QDAR; 2ADL; 3D; DSBB; HBJD; HBLA1. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 231 x 154 x 16. Weight in Grams: 348. . 2015. Reprint. paperback. . . . . N° de réf. du vendeur V9781107470675
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