Moving from a definition of the lyric to the innovations introduced by Petrarch's poetic language, this study goes on to propose a new reading of several French poets (Charles d'Orléans, Ronsard, and Du Bellay), and a re-evaluation of Montaigne's understanding of the most striking poetry and its relation to his own prose. Instead of relying on conventional notions of Renaissance subjectivity, it locates recurring features of this poetic language that express a turn to the singular and that herald lyric poetry's modern emphasis on the utterly particular. By combining close textual analysis with more modern ethical concerns this study establishes clear distinctions between what poets do and what rhetoric and poetics say they do. It shows how the tradition of rhetorical commentary is insufficient in accounting for this startling effectiveness of lyric poetry, manifest in Petrarch's Rime Sparse and the collections of the best poets writing after him.
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Ullrich Langer is Alfred Glauser Professor of French and Director of the Center for Early Modern Studies at the University of Wisconsin, Madison. He has published widely in the fields of French and Italian literature, and is the editor of The Cambridge Companion to Montaigne (Cambridge, 2005) and the author of Penser les formes du plaisir littéraire à la Renaissance (2009).
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Paperback. Etat : New. Moving from a definition of the lyric to the innovations introduced by Petrarch's poetic language, this study goes on to propose a new reading of several French poets (Charles d'Orléans, Ronsard, and Du Bellay), and a re-evaluation of Montaigne's understanding of the most striking poetry and its relation to his own prose. Instead of relying on conventional notions of Renaissance subjectivity, it locates recurring features of this poetic language that express a turn to the singular and that herald lyric poetry's modern emphasis on the utterly particular. By combining close textual analysis with more modern ethical concerns this study establishes clear distinctions between what poets do and what rhetoric and poetics say they do. It shows how the tradition of rhetorical commentary is insufficient in accounting for this startling effectiveness of lyric poetry, manifest in Petrarch's Rime Sparse and the collections of the best poets writing after him. N° de réf. du vendeur LU-9781107526990
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Paperback. Etat : new. Paperback. Moving from a definition of the lyric to the innovations introduced by Petrarch's poetic language, this study goes on to propose a new reading of several French poets (Charles d'Orleans, Ronsard, and Du Bellay), and a re-evaluation of Montaigne's understanding of the most striking poetry and its relation to his own prose. Instead of relying on conventional notions of Renaissance subjectivity, it locates recurring features of this poetic language that express a turn to the singular and that herald lyric poetry's modern emphasis on the utterly particular. By combining close textual analysis with more modern ethical concerns this study establishes clear distinctions between what poets do and what rhetoric and poetics say they do. It shows how the tradition of rhetorical commentary is insufficient in accounting for this startling effectiveness of lyric poetry, manifest in Petrarch's Rime Sparse and the collections of the best poets writing after him. This wide-ranging study of the lyric as a literary genre in Renaissance Europe, by a leading scholar of the period, explores how Petrarch revolutionized love lyric and how European poetic language was changed thereafter. It includes discussions of the work of Charles d'Orleans, Ronsard, Du Bellay, and Montaigne, among others. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781107526990
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This wide-ranging study of the lyric as a literary genre in Renaissance Europe, by a leading scholar of the period, explores how Petrarch revolutionized love lyric and how European poetic language was changed thereafter. It includes discussions of the work . N° de réf. du vendeur 447219786
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