This book discusses performance in communities of practice, social criticism through song, and how folk song and language interact.
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Richard J. Watts is emeritus professor of Modern English Linguistics, retired from the Chair in that discipline at the University of Bern since 2008. He is one of the world's leading experts in linguistic politeness research and is author of five books including Politeness (2003) and Language Myths and the History of English (2011).
Franz Andres Morrissey is a lecturer in Modern English Linguistics at the University of Bern, Switzerland. He has a background in TEFL, and has published language text books and several papers on teaching materials and language practice through games, music and creative writing, and sociolinguistics and the sociology of language.
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Paperback. Etat : Very Good. Language, the Singer and the Song: The Sociolinguistics of Folk Performance This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. N° de réf. du vendeur 7719-9781107533042
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. The relationship between language and music has much in common - rhythm, structure, sound, metaphor. Exploring the phenomena of song and performance, this book presents a sociolinguistic model for analysing them. Based on ethnomusicologist John Blacking's contention that any song performed communally is a 'folk song' regardless of its generic origins, it argues that folk song to a far greater extent than other song genres displays 'communal' or 'inclusive' types of performance. The defining feature of folk song as a multi-modal instantiation of music and language is its participatory nature, making it ideal for sociolinguistic analysis. In this sense, a folk song is the product of specific types of developing social interaction whose major purpose is the construction of a temporally and locally based community. Through repeated instantiations, this can lead to disparate communities of practice, which, over time, develop sociocultural registers and a communal stance towards aspects of meaningful events in everyday lives that become typical of a discourse community. N° de réf. du vendeur LU-9781107533042
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Etat : New. 2021. Paperback. . . . . . N° de réf. du vendeur V9781107533042
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Vendeur : Chiron Media, Wallingford, Royaume-Uni
Paperback. Etat : New. N° de réf. du vendeur 6666-IUK-9781107533042
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Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
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