In The Theft of History Jack Goody builds on his own previous work to extend further his highly influential critique of what he sees as the pervasive Eurocentric or occidentalist biases of so much western historical writing and the consequent 'theft' by the West of the achievements of other cultures in the invention of (notably) democracy, capitalism, individualism and love. Goody, one of the world's most distinguished anthropologists, raises questions about theorists, historians and methodology and proposes a new comparative approach to cross-cultural analysis which allows for more scope in examining history than an East versus West style.
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In The Theft of History Jack Goody builds on his own previous work to extend further his highly influential critique of what he sees as the pervasive Eurocentric or occidentalist biases of so much western historical writing and the consequent 'theft' by the West of the achievements of other cultures in the invention of (notably) democracy, capitalism, individualism and love. Goody, one of the world's most distinguished anthropologists, raises questions about theorists, historians and methodology and proposes a new comparative approach to cross-cultural analysis which allows for more scope in examining history than an East versus West style.
'Goody identifies an academic audience that reflects the broad territory he has explored in the course of a very long and productive career ... The sophistication of the design and manufacture of the Antikythera mechanism, unparalleled in museum collections, independently endorses Goody's contention that big gaps in the archaeological and documentary records seriously affect our understanding.' Journal of Contemporary History
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