The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This sixth volume contains Volume 4 of Modern Painters.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This sixth volume contains Volume 4 of Modern Painters.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. The influence of John Ruskin (1819-1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This sixth volume contains Volume 4 of Modern Painters. N° de réf. du vendeur LU-9781108008549
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Etat : New. The sixth volume of the magisterial Library Edition (1903-1912) of the works of John Ruskin. Editor(s): Cook, Sir Edward Tyas; Wedderburn, Alexander. Series: Cambridge Library Collection - Works of John Ruskin. Num Pages: 600 pages, 168 b/w illus. BIC Classification: 2AB; DSBF. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 229 x 152 x 31. Weight in Grams: 790. . 2010. paperback. . . . . N° de réf. du vendeur V9781108008549
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Etat : New. The sixth volume of the magisterial Library Edition (1903-1912) of the works of John Ruskin. Editor(s): Cook, Sir Edward Tyas; Wedderburn, Alexander. Series: Cambridge Library Collection - Works of John Ruskin. Num Pages: 600 pages, 168 b/w illus. BIC Classification: 2AB; DSBF. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 229 x 152 x 31. Weight in Grams: 790. . 2010. paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9781108008549
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