Published in 1895, three engaging lectures aiming to establish aesthetics as an aid to the performance and appreciation of music.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
One of the most important musicologists of his age, Hugo Riemann (1849–1919) influenced an entire generation in its thinking. He held several teaching posts before settling at the University of Leipzig in 1895. A prolific writer on music theory, publishing works on almost every aspect of the subject, he is best remembered for his celebrated Musik-Lexikon (1882). These three lectures, setting out his thinking on how we listen to music, were first published in 1888 as Wie hören wir Musik? and in 1895 in this English translation by Heinrich Bewerunge (1862–1923), plainchant scholar at St Patrick's College, Maynooth. Each lecture deals with a different aspect of the overarching question posed in the original title, revealing Riemann's thoughts on the transformation of hearing into feeling, the different psychological effects of dynamics, emotional responses to rhythm and harmony, and passive and active listening.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 18682235
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 18682235-n
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. One of the most important musicologists of his age, Hugo Riemann (1849-1919) influenced an entire generation in its thinking. He held several teaching posts before settling at the University of Leipzig in 1895. A prolific writer on music theory, publishing works on almost every aspect of the subject, he is best remembered for his celebrated Musik-Lexikon (1882). These three lectures, setting out his thinking on how we listen to music, were first published in 1888 as Wie hören wir Musik? and in 1895 in this English translation by Heinrich Bewerunge (1862-1923), plainchant scholar at St Patrick's College, Maynooth. Each lecture deals with a different aspect of the overarching question posed in the original title, revealing Riemann's thoughts on the transformation of hearing into feeling, the different psychological effects of dynamics, emotional responses to rhythm and harmony, and passive and active listening. N° de réf. du vendeur LU-9781108057301
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 76 pages. 8.35x5.35x0.39 inches. In Stock. This item is printed on demand. N° de réf. du vendeur __1108057306
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Published in 1895, three engaging lectures aiming to establish aesthetics as an aid to the performance and appreciation of music. Translator(s): Bewerunge, H. Series: Cambridge Library Collection - Music. Num Pages: 76 pages, black & white illustrations. BIC Classification: AVC. Category: (P) Professional & Vocational. Dimension: 140 x 216 x 5. Weight in Grams: 118. . 2013. paperback. . . . . N° de réf. du vendeur V9781108057301
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Etat : New. pp. 76. N° de réf. du vendeur 2645359206
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Etat : New. Print on Demand pp. 76 1:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Perfect Bound on Creme w/Gloss Lam. N° de réf. du vendeur 46374841
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Paperback. Etat : new. Paperback. One of the most important musicologists of his age, Hugo Riemann (18491919) influenced an entire generation in its thinking. He held several teaching posts before settling at the University of Leipzig in 1895. A prolific writer on music theory, publishing works on almost every aspect of the subject, he is best remembered for his celebrated Musik-Lexikon (1882). These three lectures, setting out his thinking on how we listen to music, were first published in 1888 as Wie hoeren wir Musik? and in 1895 in this English translation by Heinrich Bewerunge (18621923), plainchant scholar at St Patrick's College, Maynooth. Each lecture deals with a different aspect of the overarching question posed in the original title, revealing Riemann's thoughts on the transformation of hearing into feeling, the different psychological effects of dynamics, emotional responses to rhythm and harmony, and passive and active listening. One of the foremost musicologists of his age, Hugo Riemann (18491919) wrote prolifically on music theory and is best remembered for his celebrated Musik-Lexikon. These three lectures, setting out his thinking on how we listen to music, were first published in 1888, and in this English translation in 1895. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781108057301
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