William Holman Hunt (1827–1910) chronicled the Pre-Raphaelite Brotherhood in this well-illustrated two-volume memoir of 1905, controversially presenting himself as the movement's founding father. Popular when first published, it illuminates the search for authenticity of treatment and depth of meaning in his own work and that of Millais, Rossetti and their circle. Stressing the contributions of himself and Millais, Hunt sets out to defend the Brotherhood's ideals, from which he never departed. After his success with The Light of the World, he survived exotic and dangerous travels to create some of the most memorable paintings of the age, such as The Scapegoat (mostly painted by the Dead Sea with a gun at hand) and The Lady of Shalott. Volume 1 shows him overcoming family objections and early criticism to pursue his artistic goals, finding common ground in the Brotherhood, winning Ruskin's backing and wider recognition, and making his first trip to the Holy Land.
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William Holman Hunt (1827–1910) chronicled the Pre-Raphaelite Brotherhood in this well-illustrated two-volume memoir of 1905, controversially presenting himself as the movement's founding father. Popular when first published, it illuminates the search for authenticity of treatment and depth of meaning in his own work and that of Millais, Rossetti and their circle. Stressing the contributions of himself and Millais, Hunt sets out to defend the Brotherhood's ideals, from which he never departed. After his success with The Light of the World, he survived exotic and dangerous travels to create some of the most memorable paintings of the age, such as The Scapegoat (mostly painted by the Dead Sea with a gun at hand) and The Lady of Shalott. Volume 1 shows him overcoming family objections and early criticism to pursue his artistic goals, finding common ground in the Brotherhood, winning Ruskin's backing and wider recognition, and making his first trip to the Holy Land.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : New. Holman Hunt chronicles the Pre-Raphaelite Brotherhood in this two-volume memoir of 1905, controversially presenting himself as the movement's founding father. Series: Cambridge Library Collection - Art and Architecture. Num Pages: 586 pages, 94 b/w illus. BIC Classification: 3JH; 3JJ; AFC; BGF. Category: (U) Tertiary Education (US: College). Dimension: 216 x 151 x 35. Weight in Grams: 756. . 2013. paperback. . . . . N° de réf. du vendeur V9781108060653
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Paperback. Etat : New. William Holman Hunt (1827-1910) chronicled the Pre-Raphaelite Brotherhood in this well-illustrated two-volume memoir of 1905, controversially presenting himself as the movement's founding father. Popular when first published, it illuminates the search for authenticity of treatment and depth of meaning in his own work and that of Millais, Rossetti and their circle. Stressing the contributions of himself and Millais, Hunt sets out to defend the Brotherhood's ideals, from which he never departed. After his success with The Light of the World, he survived exotic and dangerous travels to create some of the most memorable paintings of the age, such as The Scapegoat (mostly painted by the Dead Sea with a gun at hand) and The Lady of Shalott. Volume 1 shows him overcoming family objections and early criticism to pursue his artistic goals, finding common ground in the Brotherhood, winning Ruskin's backing and wider recognition, and making his first trip to the Holy Land. N° de réf. du vendeur LU-9781108060653
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Etat : New. Holman Hunt chronicles the Pre-Raphaelite Brotherhood in this two-volume memoir of 1905, controversially presenting himself as the movement's founding father. Series: Cambridge Library Collection - Art and Architecture. Num Pages: 586 pages, 94 b/w illus. BIC Classification: 3JH; 3JJ; AFC; BGF. Category: (U) Tertiary Education (US: College). Dimension: 216 x 151 x 35. Weight in Grams: 756. . 2013. paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9781108060653
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Paperback. Etat : new. Paperback. William Holman Hunt (18271910) chronicled the Pre-Raphaelite Brotherhood in this well-illustrated two-volume memoir of 1905, controversially presenting himself as the movement's founding father. Popular when first published, it illuminates the search for authenticity of treatment and depth of meaning in his own work and that of Millais, Rossetti and their circle. Stressing the contributions of himself and Millais, Hunt sets out to defend the Brotherhood's ideals, from which he never departed. After his success with The Light of the World, he survived exotic and dangerous travels to create some of the most memorable paintings of the age, such as The Scapegoat (mostly painted by the Dead Sea with a gun at hand) and The Lady of Shalott. Volume 1 shows him overcoming family objections and early criticism to pursue his artistic goals, finding common ground in the Brotherhood, winning Ruskin's backing and wider recognition, and making his first trip to the Holy Land. William Holman Hunt (18271910) chronicles the Pre-Raphaelite Brotherhood's history in this two-volume memoir of 1905, controversially presenting himself as the movement's founding father. Volume 1 describes the coming together of Millais, Rossetti and their circle, Ruskin's influence, Hunt's own early successes, and the perils of painting The Scapegoat by the Dead Sea. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781108060653
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. William Holman Hunt (1827-1910) chronicles the Pre-Raphaelite Brotherhood s history in this two-volume memoir of 1905, controversially presenting himself as the movement s founding father. Volume 1 describes the coming together of Millais, Rossetti and thei. N° de réf. du vendeur 447228574
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