Revealing what is 'Islamic' in Islamic art, Shaw explores the perception of arts, including painting, music, and geometry through the discursive sphere of historical Islam including the Qur'an, Hadith, Sufism, ancient philosophy, and poetry. Emphasis on the experience of reception over the context of production enables a new approach, not only to Islam and its arts, but also as a decolonizing model for global approaches to art history. Shaw combines a concise introduction to Islamic intellectual history with a critique of the modern, secular, and European premises of disciplinary art history. Her meticulous interpretations of intertextual themes span antique philosophies, core religious and theological texts, and prominent prose and poetry in Arabic, Persian, Turkish, and Urdu that circulated across regions of Islamic hegemony from the eleventh century to the colonial and post-colonial contexts of the modern Middle East.
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Wendy M. K. Shaw is Professor of the Art History of Islamic Cultures at the Freie Universität Berlin. Her work focuses on the impact of coloniality on museums, archaeology, preservation, and historical, modern, and contemporary art, with emphasis on the Ottoman Empire, the Republic of Turkey, regions of Islamic hegemony, Sufism, and transregional art historiography. She is the author of Possessors and Possessed: Museums, Archaeology, and the Visualization of History in the Late Ottoman Empire (2003), and Ottoman Painting: Reflections of Western Art from the Ottoman Empire to the Turkish Republic (2011).
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Hardback. Etat : New. Revealing what is 'Islamic' in Islamic art, Shaw explores the perception of arts, including painting, music, and geometry through the discursive sphere of historical Islam including the Qur'an, Hadith, Sufism, ancient philosophy, and poetry. Emphasis on the experience of reception over the context of production enables a new approach, not only to Islam and its arts, but also as a decolonizing model for global approaches to art history. Shaw combines a concise introduction to Islamic intellectual history with a critique of the modern, secular, and European premises of disciplinary art history. Her meticulous interpretations of intertextual themes span antique philosophies, core religious and theological texts, and prominent prose and poetry in Arabic, Persian, Turkish, and Urdu that circulated across regions of Islamic hegemony from the eleventh century to the colonial and post-colonial contexts of the modern Middle East. N° de réf. du vendeur LU-9781108474658
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Hardcover. Etat : new. Hardcover. Revealing what is 'Islamic' in Islamic art, Shaw explores the perception of arts, including painting, music, and geometry through the discursive sphere of historical Islam including the Qur'an, Hadith, Sufism, ancient philosophy, and poetry. Emphasis on the experience of reception over the context of production enables a new approach, not only to Islam and its arts, but also as a decolonizing model for global approaches to art history. Shaw combines a concise introduction to Islamic intellectual history with a critique of the modern, secular, and European premises of disciplinary art history. Her meticulous interpretations of intertextual themes span antique philosophies, core religious and theological texts, and prominent prose and poetry in Arabic, Persian, Turkish, and Urdu that circulated across regions of Islamic hegemony from the eleventh century to the colonial and post-colonial contexts of the modern Middle East. Investigating what is Islamic about Islamic art through analysis of the Qur'an, Hadith, Sufi texts, ancient philosophy, and a rich corpus of transcultural poetry, Shaw challenges the historicism, secularism, and regionalism of traditional art history with new means of perceiving Islamic painting, music, and geometric pattern. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781108474658
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