In this book, Richard J. A. McGregor offers a history of Islamic practice through the aesthetic reception of medieval religious objects. Elaborate parades in Cairo and Damascus included decorated objects of great value, destined for Mecca and Medina. Among these were the precious dress sewn yearly for the Ka'ba, and large colorful sedans mounted on camels, which mysteriously completed the Hajj without carrying a single passenger. Along with the brisk trade in Islamic relics, these objects and the variety of contested meanings attached to them, constituted material practices of religion that persisted into the colonial era, but were suppressed in the twentieth century. McGregor here recovers the biographies of religious objects, including relics, banners, public texts, and coverings for the Ka'ba. Reconstructing the premodern visual culture of Islamic Egypt and Syria, he follows the shifting meanings attached to objects of devotion, as well as the contingent nature of religious practice and experience.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Richard J. A. McGregor is Associate Professor of Religion and Islam at Vanderbilt University. He is the author of Sanctity and Mysticism in Medieval Egypt (2004), co-editor of The Development of Sufism in Mamluk Egypt (2006) and Sufism in the Ottoman Era (16th–18th C.) (2010), and a translator of the Arabic edition of The Epistle of the Brethren of Purity: The Case of the Animals versus Man Before the King of the Jinn (2009).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. In this book, Richard J. A. McGregor offers a history of Islamic practice through the aesthetic reception of medieval religious objects. Elaborate parades in Cairo and Damascus included decorated objects of great value, destined for Mecca and Medina. Among these were the precious dress sewn yearly for the Ka'ba, and large colorful sedans mounted on camels, which mysteriously completed the Hajj without carrying a single passenger. Along with the brisk trade in Islamic relics, these objects and the variety of contested meanings attached to them, constituted material practices of religion that persisted into the colonial era, but were suppressed in the twentieth century. McGregor here recovers the biographies of religious objects, including relics, banners, public texts, and coverings for the Ka'ba. Reconstructing the premodern visual culture of Islamic Egypt and Syria, he follows the shifting meanings attached to objects of devotion, as well as the contingent nature of religious practice and experience. By reconstructing the biographies of religious objects (relics, banners, public texts, coverings for the Ka'ba), this study recovers the premodern visual culture of Islamic Egypt and Syria. It follows the shifting meanings attached to objects of devotion, exploring the indeterminacy that seems to haunt them. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781108483841
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