Recent scholarship has acknowledged that the intertextual discourse of ancient comedy with previous and contemporary literary traditions is not limited to tragedy. This book is a timely response to the more sophisticated and theory-grounded way of viewing comedy's interactions with its cultural and intellectual context. It shows that in the process of its self-definition, comedy emerges as voracious and multifarious with a wide spectrum of literary, sub-literary and paraliterary traditions, the engagement with which emerges as central to its projected literary identity and, subsequently, to the reception of the genre itself. Comedy's self-definition through generic discourse far transcends the (narrowly conceived) 'high-low' division of genres. This book explores ancient comedy's interactions with Homeric and Hesiodic epic, iambos, lyric, tragedy, the fable tradition, the ritual performances of the Greek polis, and its reception in Platonic writings and Alexandrian scholarship, within a unified interpretative framework.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Emmanuela Bakola is Senior Research Associate at the Department of Greek and Latin, University College London. She has published a critically acclaimed monograph on Cratinus (Cratinus and the Art of Comedy, 2010) and several articles which explore the relationship of comedy to other genres. Her current project uses a cultural-anthropological framework to re-read the tragedies of Aeschylus, arguing that their dramaturgy, imagery, stage action, and engagement with religion, cult and ritual show that Aeschylean tragedy pervasively reflects on the human relationship to the Earth and its resources.
Lucia Prauscello is Senior Lecturer in Classics at the University of Cambridge and Fellow of Trinity Hall. She is the author of Singing Alexandria: Music Between Practice and Textual Transmission (2006) and has variously published on Greek archaic and Hellenistic poetry, drama, Greek religion and ancient music.
Mario Telò is Assistant Professor of Classics at the University of California, Los Angeles. His research interests mainly focus on Attic drama, and especially on Old Comedy, but he has also published in other areas of Greek literature (the Greek novel, ecphrastic literature, Roman tragedy and comedy). In 2007 he published a commentary on Eupolis' Demoi, the best-preserved fragmentary play of Old Comedy. He is currently working on a project to provide new readings of Knights, Wasps, Clouds and Peace by exploring the role that intergenerational thematics play in Aristophanes' definition of his comic identity in relation to his audience and his rivals.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 40997433-n
Quantité disponible : Plus de 20 disponibles
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. Recent scholarship has acknowledged that the intertextual discourse of ancient comedy with previous and contemporary literary traditions is not limited to tragedy. This book is a timely response to the more sophisticated and theory-grounded way of viewing comedy's interactions with its cultural and intellectual context. It shows that in the process of its self-definition, comedy emerges as voracious and multifarious with a wide spectrum of literary, sub-literary and paraliterary traditions, the engagement with which emerges as central to its projected literary identity and, subsequently, to the reception of the genre itself. Comedy's self-definition through generic discourse far transcends the (narrowly conceived) 'high-low' division of genres. This book explores ancient comedy's interactions with Homeric and Hesiodic epic, iambos, lyric, tragedy, the fable tradition, the ritual performances of the Greek polis, and its reception in Platonic writings and Alexandrian scholarship, within a unified interpretative framework. Innovative treatment of Greek comedy, showing that an essential characteristic at the heart of its identity is its voracious and multifarious dialogue with a large spectrum of literary, sub-literary and paraliterary traditions which surround and shape it. Explores comedy's interactions with numerous other genres within a unified interpretative framework. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781108820080
Quantité disponible : 1 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 40997433
Quantité disponible : Plus de 20 disponibles
Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. Print on Demand pp. 420. N° de réf. du vendeur 385382374
Quantité disponible : 4 disponible(s)
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 420 pages. 8.90x5.98x1.02 inches. In Stock. This item is printed on demand. N° de réf. du vendeur __1108820085
Quantité disponible : 1 disponible(s)
Vendeur : Books Puddle, New York, NY, Etats-Unis
Etat : New. Print on Demand pp. 420. N° de réf. du vendeur 26378521657
Quantité disponible : 4 disponible(s)
Vendeur : Biblios, Frankfurt am main, HESSE, Allemagne
Etat : New. PRINT ON DEMAND pp. 420. N° de réf. du vendeur 18378521651
Quantité disponible : 4 disponible(s)
Vendeur : Chiron Media, Wallingford, Royaume-Uni
PF. Etat : New. N° de réf. du vendeur 6666-IUK-9781108820080
Quantité disponible : 10 disponible(s)
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : New. N° de réf. du vendeur 40997433-n
Quantité disponible : Plus de 20 disponibles
Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
Paperback / softback. Etat : New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days. N° de réf. du vendeur C9781108820080
Quantité disponible : Plus de 20 disponibles