The theory and practice of imitation has long been central to the construction of art and yet imitation is still frequently confused with copying. Theorizing Imitation in the Visual Arts challenges this prejudice by revealing the ubiquity of the practice across cultures and geographical borders.
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Paul Duro is Professor of Art History and Visual and Cultural Studies at the University of Rochester, NY. He has published articles on the theory and practice of imitation, the sublime, art institutions, frame theory, the hierarchy of the genres, and Heidegger and travel writing. He is also the author of The Rhetoric of the Frame: Essays on the Boundaries of the Artwork (1996) and The Academy and the Limits of Painting in Seventeenth-Century France (1997).
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Etat : New. The theory and practice of imitation has long been central to the construction of art and yet imitation is still frequently confused with copying. Theorizing Imitation in the Visual Arts challenges this prejudice by revealing the ubiquity of the practice across cultures and geographical borders. Series: Art History Special Issues. Num Pages: 240 pages. BIC Classification: ABA; AC. Category: (P) Professional & Vocational. Dimension: 276 x 210. . . 2016. 1st Edition. Paperback. . . . . N° de réf. du vendeur V9781119004035
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Etat : New. The theory and practice of imitation has long been central to the construction of art and yet imitation is still frequently confused with copying. Theorizing Imitation in the Visual Arts challenges this prejudice by revealing the ubiquity of the practice across cultures and geographical borders. Series: Art History Special Issues. Num Pages: 240 pages. BIC Classification: ABA; AC. Category: (P) Professional & Vocational. Dimension: 276 x 210. . . 2016. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9781119004035
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